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Political Philosophy from an Intercultural Perspective
The objective of the following collected volume is to encourage a critical reflection on the relationship between "power" and "non-power" in our contemporary "world" and, proceeding from various philosophical traditions, to investigate the multifaceted aspects of this relationship. The authors’ respective investigations proceed from an intercultural perspective and fall predominantly in the domain of political theory and philosophy. This volume takes an intercultural political perspective, which means, on the one hand, involving non-European philosophies in a global debate about power relations and their effects in the world and, on the other hand, confronting local traditions of thought w...
The Art of Post-Dictatorship
Since the end of the last dictatorship in 1983, Argentina’s visual artists and art-activists have been central to campaigns to demand the criminal prosecution of those initially granted amnesty and to a variety of commemorative projects. In The Art of Post-Dictatorship: Ethics and Aesthetics in Transitional Argentina Vikki Bell examines this involvement and intervention. She argues that the problematics that arise within the aesthetic realm cannot be understood solely through an art-historical approach; instead, they must be understood as a constitutive part of a broader collective endeavour. In this sense, the ‘art’ of post-dictatorship is not something that belongs to art or the artists themselves, but is about how the subjectivities and imaginations of new generations are constituted and entwined with questions of response, ethics and justice. It concerns how people align themselves between the past and the future. This book will be an invaluable resource for those studying the law, politics, art and sociology of contemporary Argentina as well as those concerned more widely with transitional justice and the politics of memory.
Conflicted Memory
Reveals and analyzes how Peru's military elite have engaged in a cultural campaign--via memoirs, novels, films, museums--to shift public memory and debate about the nation's recent violent conflict and their part in it.
The Memory of State Terrorism in the Southern Cone
Through various lenses and theoretical approaches, this book explores the contested experiences, meanings, realms, goals, and challenges associated with the construction, preservation, and transmission of the memories of state repression in Argentina, Chile, and Uruguay.
Surviving State Terror
Honorable Mention, 2019 Distinguished Book Award, given by the Sex & Gender Section of the American Sociological Association Honorable Mention, 2019 Marysa Navarro Book Prize, given by the New England Council of Latin American Studies (NECLAS) A profound reflection on state violence and women’s survival In the 1970s and early 80s, military and security forces in Argentina hunted down, tortured, imprisoned, and in many cases, murdered political activists, student organizers, labor unionists, leftist guerrillas, and other people branded “subversives.” This period was characterized by massive human rights violations, including forced disappearances committed in the name of national securi...
Queering Acts of Mourning in the Aftermath of Argentina's Dictatorship
"The aftermath of Argentina's last dictatorship (1976-1983) has traditionally been associated with narratives of suffering, which recall the loss of the 30,000 civilians infamously known as the "disappeared." When democracy was recovered, the unspoken rule was that only those related by blood to the missing were entiteld to ask for justice. This book both queries and queers this bloodline normativity. Drawing on queer theory and performance studies, it develops an alternative framework for understanding the affective transmission of trauma beyond traditional family settings. To do so, it introduces an archive of non-normative acts of mourning that runs across different generations. Through the analysis of a broad spectrum of performances--including interviews, memoirs, cooking sessions, films, jokes, theatrical productions and literature--the book shows how the experience of loss has not only produced a well-known imaginary of suffering but also new forms of collective pleasure"--Back cover.
Bound to Act
Cette étude porte sur le motif de l'impossibilité d'agir, récurrent dans la littérature dramatique et philosophique occidentale depuis "Hamlet" à nos jours. Hamlet n'est en effet pas seul à avoir des difficultés à passer à l'acte : il en est de même pour le Faust de Marlowe, le Samson de Milton, le Prométhée de Shelley, et Estragon et Vladimir dans "En attendant Godot". L'analyse de l'inaction de ces personnages éclaire les modèles d'action déployés dans les textes philosophiques en question : certains essais de Donald Davidson, les "Deux traités sur le gouvernement" de Locke, "La naissance de la tragédie" de Nietzsche, "Auteur et héros en activité esthétique" de Bakhtin, "Les investigations philosophiques" de Wittgenstein, les essais sur la guerre du Golfe de Baudrillard et Lyotard. Le théâtre d'Aeschylle et la conception aristotélicienne de l'action permettent d'évaluer les limites introduites par la catégorie du sujet dans le modèle d'action qui prédomine dans la modernité.
Sexual Violence in the Argentinean Crimes against Humanity Trials
The origin of Sexual Violence in the Argentinean Crimes against Humanity Trials: Rethinking Victimhood can be found in the resistance that, using a traditional feminist perspective, alleges that testimonies of sexual violence in the context of Argentinian crimes against humanity trials inevitably re-victimize victims. It is our understanding that such interpretation not only forgets to pay attention to what victims have to say about their experiences but also bases its allegation on dualistic and patronizing conceptions of female agency. This book argues that the role of affect in the experiences of those women who decided to testify as well of those who refused to do it shows to be a useful tool in order to analyze the sexual violence issue from a thought-provoking and heterodox perspective. Cecilia Macón presents her argument through philosophical debates paired with testimonies of victims and analysis of works of art devoted to express these problems. Recommended for scholars of Latin American studies, philosophy, history, and sociology.
Playful Memories
This volume examines the blending of fact and fiction in a series of cultural artefacts by post-dictatorship writers and artists in Argentina, many of them children of disappeared or persecuted parents. Jordana Blejmar argues that these works, which emerged after the turn of the millennium, pay testament to a new cultural formation of memory characterised by the use of autofiction and playful aesthetics. She focuses on a range of practitioners, including Laura Alcoba, Lola Arias, Félix Bruzzone, Albertina Carri, María Giuffra, Victoria Grigera Dupuy, Mariana Eva Perez, Lucila Quieto, and Ernesto Semán, who look towards each other's works across boundaries of genre and register as part of the way they address the legacies of the 1976-1983 dictatorship. Approaching these works not as second-hand or adoptive memories but as memories in their own right, Blejmar invites us to recognise the subversive power of self-figuration, play and humour when dealing with trauma.
Intersections of Affect, Memory, and Privilege in Bogota, Colombia
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