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Mass media has become an integral part of the human experience. News travels around the world in a split second affecting people in other countries in untold ways. Although being on top of the news may be good, at least for news junkies, mass media also transmits values or the lack thereof, condenses complex events and thoughts to simplified sound bites and often ignores the essence of an event or story. The selective bibliography gathers the books and magazine literature over the previous ten years while providing access through author, title and subject indexes.
The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.
Hazlerigg, Bohun, Mercer and Petrella all feature in turn in this collection of eighteen short stories; police procedurals and action packed thrillers. Why did the man rob the bank? How could a man disappear in a deserted street? And sixteen more!
The Rise of the Image reveals how illustrations have come to play a primary part in books on art and architecture. Italian Renaissance art is the main focus for this anthology of essays which analyse key episodes in the history of illustration from the sixteenth to the twentieth century. The authors raise new issues about the imagery in books on the visual arts by Leonardo da Vinci, Giorgio Vasari, Sebastiano Serlio, Andrea Palladio, Girolamo Teti and Andrea Pozzo. The concluding essays evaluate the roles of reproductive media, including photography, in Victorian and twentieth-century art books. Throughout, images in books are considered as vehicles for ideas rather than as transparent, passive visual forms, dependent on their accompanying texts. Thus The Rise of the Image enriches our understanding of the role of prints in books on art.
The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan’s impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.
Nazis, fascists and völkisch conservatives in different European countries not only cooperated internationally in the fields of culture, science, economy, and persecution of Jews, but also developed ideas for a racist and ethno-nationalist Europe under Hitler. The present volume attempts to combine an analysis of Nazi Germany’s transnational relations with an evaluation of the discourse that accompanied these relations.
The four years between the military defeat of France by Nazi Germany and D-Day were vital, dramatic and eventful years in Anglo-French relations. These years saw the first armed clashes between France and Britain since the Napoleonic Wars, including the infamous Royal Navy attack on the French fleet at Mers-el-Kebir. They also saw a curious relationship developing between Britain and Vichy France. Vichy was at once a hostile power, under German domination, and at the same time a porous regime through which British influence on its politics, attitudes towards the Resistance and the transit of British soldiers and airmen through its territory en route to Spain, could flow quite freely. Britain...
The period of the 'long' Second World War (1936-1948) was marked by mass movements of diverse populations: 60 million people either fled or were forced from their homes. This book considers the Spanish Republicans fleeing Franco's Spain in 1939, the French civilians trying to escape the Nazi invasion in 1940, and the millions of people displaced or expelled by the forces of Hitler's Third Reich. Throughout this period state and voluntary organisations were created to take care of the homeless and the displaced. National organisations dominated until the end of the war; afterwards, international organisations - the United Nations Relief and Rehabilitation Agency and the International Refugee Organisation - were formed to deal with what was clearly an international problem. Using case studies of displaced people and of relief workers, this book is unique in placing such crises at the centre rather than the margins of wartime experience, making the work nothing less than an alternative history of the Second World War.