You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.
How do we perdure when we and everything around us are caught up in incessant change? But the course of this change does not seem to be haphazard and we may seek the modalities of its Logos in the transformations in which it occurs. The classic term 'Metamorphosis' focuses upon the proportions between the transformed and the retained, the principles of sameness and otherness. Applied to life and its becoming, metamorphosis pinpoints the proportions between the vital and the aesthetic significance of life. Where could this metaphysical in-between territory come better to light than in the Fine Arts? In this collection are investigated the various proportions between the vital significance of ...
The controversial Jewish thinker whose tortured path led him into the heart of twentieth-century intellectual life Scion of a distinguished line of Talmudic scholars, Jacob Taubes (1923–1987) was an intellectual impresario whose inner restlessness led him from prewar Vienna to Zurich, Israel, and Cold War Berlin. Regarded by some as a genius, by others as a charlatan, Taubes moved among yeshivas, monasteries, and leading academic institutions on three continents. He wandered between Judaism and Christianity, left and right, piety and transgression. Along the way, he interacted with many of the leading minds of the age, from Leo Strauss and Gershom Scholem to Herbert Marcuse, Susan Sontag, ...
Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here turn the end of art into an occasion to thematize and to reflect on the very thing that modernism cannot or should not be: tradition. As a discourse, the end of art is one of our modern traditions.
This book offers an analysis of humor, comedy, and laughter as philosophical topics in the 19th Century. It traces the introduction of humor as a new aesthetic category inspired by Laurence Sterne’s "Tristram Shandy" and shows Sterne’s deep influence on German aesthetic theorists of this period. Through differentiating humor from comedy, the book suggests important distinctions within the aesthetic philosophies of G.W.F. Hegel, Karl Solger, and Jean Paul Richter. The book links Kant’s underdeveloped incongruity theory of laughter to Schopenhauer’s more complete account and identifies humor’s place in the pessimistic philosophy of Julius Bahnsen. It considers how caricature functioned at the intersection of politics, aesthetics, and ethics in Karl Rosenkranz’s work, and how Kierkegaard and Nietzsche made humor central not only to their philosophical content but also to its style. The book concludes with an explication of French philosopher Henri Bergson’s claim that laughter is a response to mechanical inelasticity.
Compares the archives of European states after 1500 to reveal changes in how records supported memory, authority and power.
The definitive guide to Swift's controversial satirical masterpiece, Gulliver's Travels, demonstrating its complexity and enduring legacy.
The depths of the oceans are the last example of terra incognita on earth. Adamowsky presents a study of the sea, arguing that – contrary to popular belief – post-Enlightenment discourse on the sea was still subject to mystery and wonder, and not wholly rationalized by science.
Following author Tobias Wabbel’s research and investigation throughout Europe, this book solves the mystery of the treasure of the Knights Templar. The most up-to-date archeological and historical information is discussed, from the history of the Knights Templar and the history of the Israelites and the Ark of the Covenant, to medieval literature and Gothic cathedral architecture. Disproving common theories—the Knights Templar never guarded the pilgrimage ways in Palestine, there is no Priory of Sion, there is no bloodline from Jesus to the present day, and there is no authentic Shroud of Turin—the book also proves the existence of the sacred Ark of the Covenant, also known as the treasure of the Knights Templar, which is still hidden in France. Wabbel researched iconography in the architecture of cathedrals and chapels, and found more evidence in texts and inscriptions that led to his theory on the location of the Templar treasure. Both a travel guide to the secrets of the treasure of the Knights Templar and a fascinating read, this book will shake commonly held beliefs on this interconnected history and renew the interest in it.