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A revelatory exploration of one of Jean-François Millet’s most contentious paintings. A monumentalizing portrayal of a peasant bowed over by brutal toil, Man with a Hoe (1860–62) by Jean-François Millet (1814–1875) is arguably the most art historically significant painting in the J. Paul Getty Museum’s collection of nineteenth-century European art. This volume situates the work in the arc of Millet’s career and traces its fascinating and contentious reception, from its scandalous debut at the 1863 Paris Salon to the years following its acquisition by American collectors in the 1890s. The essays examine the painting’s tumultuous public life, beginning in France, where critics at...
This book presents the first collection of the earliest West Germanic bridal-quest narratives together with a comparative study of them. In contrast to earlier studies, the author locates the origin of this narrative tradition in the oral and written Germanic literary tradition, a result that leads to a re-assessment of the genesis of vernacular German and Scandinavian literature. The chapters deal in chronological order with the Latin chronicles of the Germanic peoples and with the early Latin and vernacular literature in Germany and Scandinavia.
In this study, author Caroline Huey analyzes the copious literary output of medieval poet and barber-surgeon Hans Folz in all its variety-whether Meisterlied, Reimpaarspruch or carnival play. Heretofore, published research to do with Folz's multifaceted and compelling oeuvre has been fragmentary, because scholars have restricted themselves by genre in examining themes in Folz's work. By integrating the different themes across Folz's output, and by integrating consideration (previously neglected by earlier critics) of Folz's role as barber-surgeon, Huey offers new insights as to the interaction of these themes and to the character of the poet's work overall. She shows that ultimately Folz is concerned with the circulation of knowledge and power, correct and incorrect behavior, and, above all, with finding order. In each chapter, Huey examines a particular theme from Folz's life and/or work. She looks at how adeptly he commandeers the new technology of printing to further his own ends; how his ubiquitous physicality connects his medical body to his Christian body; his attitude toward women; and the anti-Jewish thread in his work.
Viking Mediologies is a study of pre-modern multimedia rooted in the embodied poetic practice of Viking Age skalds. Prior study of the skaldic tradition has focused on authorship—distinctions of poetic style, historical contexts, and attention to the oeuvres of the skalds whose names are preserved in the written tradition. Kate Heslop reconsiders these not as texts but as pieces in a pre-modern media landscape, focusing on poetry’s medial capacity to embody memory, visuality, and sound. Mobile, hybrid, diasporic social formations—bands of raiders and traders, petty kingdoms, colonial expeditions—achieved new prominence in the Viking Age. Skalds offered the leaders of these groups som...
In recent years, the field of Memory Studies has emerged as a key approach in the Humanities and Social Sciences, and has increasingly shown its ability to open new windows on Nordic Studies as well. The entries in this book document the work-to-date of this approach on the pre-modern Nordic world (mainly the Viking Age and the Middle Ages, but including as well both earlier and later periods). Given that Memory Studies is an ever expanding critical strategy, the approximately eighty contributors in this volume also discuss the potential for future research in this area. Topics covered range from texts to performance to visual and other aspects of material culture, all approached from within...
How did the life course, with all its biological, social and cultural aspects, influence the lives, writings, and art of the inhabitants of early medieval England? This volume explores how phases of human life such as childhood, puberty, and old age were identified, characterized, and related in contemporary sources, as well as how nonhuman life courses were constructed. The multi-disciplinary contributions range from analyses of age vocabulary to studies of medicine, name-giving practices, theology, Old English poetry, and material culture. Combined, these cultural-historical perspectives reveal how the concept and experience of the life course shaped attitudes in early medieval England. Contributors are Jo Appleby, Debby Banham, Darren Barber, Caroline R. Batten, James Chetwood, Katherine Cross, Amy Faulkner, Jacqueline Fay, Elaine Flowers, Daria Izdebska, Gale R. Owen-Crocker, Thijs Porck, and Harriet Soper.
LONGLISTED FOR THE 2020 CUNDILL HISTORY PRIZE Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war – to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings. The women in these stories take full part in the power struggles and upheavals in their communities, for better or worse. Drawing on the latest historical and archaeological evidence, Valkyrie introduces readers to the dramatic and fascinating texts recorded in medieval Iceland, a culture able to imagine women in all kinds of roles carrying power, not just in this world, but pulling the strings in the other-world, too. In the process, this fascinating book uncovers the reality behind the myths and legends to reveal the dynamic, diverse lives of Viking women.
Set in the early 1900s, A Lion in the Way is the story of Annerley’s friendship with two contemporaries whose characters and personalities differed widely from her own: the temperamental and quick-tempered Shareen Prebdel, daughter of wealthy Indian parents—and Moira Fenwick, a difficult and self-willed girl whose parents had never concerned themselves with her well-being. It is also the story of Annerley’s development from Childhood to womanhood, and her marriage. Above all it is the story of India, of the people’s fight for independence and the dawning of the end of British rule.
The first book-length study of the whole lifespan in Old English verse, exploring how poets depicted varied paths through life. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.