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The Pyramid Under the Cross
The author explores not only the imposition of a Eurocentric worldview upon the Nahua but also the hybridization of this view as the spiritual colonizer attempted to encompass a new non-Western constituency and the latter interpreted Christianity according to its own cultural paradigms.".
La Florida
Commemorating Juan Ponce de Le n's landfall on the Atlantic coast of Florida, this ambitious volume explores five centuries of Hispanic presence in the New World peninsula, reflecting on the breadth and depth of encounters between the different lands and cultures. The contributors, leading experts in a range of fields, begin with an examination of the first and second Spanish periods. This was a time when La Florida was an elusive possession that the Spaniards were never able to completely secure; but Spanish influence would nonetheless leave an indelible mark on the land. In the second half of this volume, the essays highlight the Hispanic cultural legacy, politics, and history of modern Florida and expand on Florida's role as a modern transatlantic cross roads. Melding history, literature, anthropology, music, culture, and sociology, La Florida is a unique presentation of the Hispanic roots that run deep in Florida's past and present and will assuredly shape its future.
The Persistence of Presence
The Persistence of Presence analyzes the relationship between emblem books, containing combinations of pictures and texts, and Spanish literature in the early modern period. As representations of ideas and ideals, emblems are allegories produced in a particular place and time, and their study can shed light on the central cultural and political activities of an era. Bradley J. Nelson argues that the emblem was a primary indicator of the social and political functions of diverse literary practices in early modern Spain, from theatre to epic prose. Furthermore, the disintegration of a unified medieval world view left many seeking the kinds of deep knowledge that could be accessed through symbolic pictures, increasing their cultural significance. In this detailed examination of emblem books, sacred and secular theatre, and Cervantes' critique of baroque allegory in Los trabajos de Persiles y Sigismunda, Nelson connects the early history of emblematics with the drive towards cultural and political hegemony in Counter-Reformation Spain.
Native Diasporas
The arrival of European settlers in the Americas disrupted indigenous lifeways, and the effects of colonialism shattered Native communities. Forced migration and human trafficking created a diaspora of cultures, languages, and people. Gregory D. Smithers and Brooke N. Newman have gathered the work of leading scholars, including Bill Anthes, Duane Champagne, Daniel Cobb, Donald Fixico, and Joy Porter, among others, in examining an expansive range of Native peoples and the extent of their influences through reaggregation. These diverse and wide-ranging essays uncover indigenous understandings of self-identification, community, and culture through the speeches, cultural products, intimate relat...
Sixteenth-Century Mission
Did the Reformers lack a vision for missions? In Sixteenth-Century Mission, a diverse cast of contributors explores the wide-reaching practice and theology of mission during this era. Rather than a century bereft of cross-cultural outreach, we find both Reformers and Roman Catholics preaching the gospel and establishing the church in all the world. This overlooked yet rich history reveals themes and insights relevant to the practice of mission today.
Sacred Tropes: Tanakh, New Testament, and Qur'an as Literature and Culture
Contemporary sacred text scholarship has been stimulated by a number of intersecting trends: a surging interest in religion, sacred texts, and inspirational issues; burgeoning developments in and applications of literary theories; intensifying academic focus on diverse cultures whether for education or scholarship. Although much has been written individually about Tanakh, New Testament, and Qur’an, no collection combines an examination of all three. Sacred Tropes interweaves Tanakh, New Testament, and Qur’an essays. Contributors collectively and also often individually use mixed literary approaches instead of the older single theory strategy. Appropriate for classroom or research, the essays utilize a variety of literary theoretical lenses including environmental, cultural studies, gender, psychoanalytic, ideological, economic, historicism, law, and rhetorical criticisms through which to examine these sacred works.
Foundational Arts
Foundational Arts examines how the relationships between mural painting and missionary theater became a transcultural process for mass conversion of Native populations to Christianity. Michael K. Schuessler studies the New World expressions of dramatic and plastic arts and how they became the tools of European friars to Christianize Native peoples and ultimately create a new and unique literary and artistic tradition.
Megadrought in the Carolinas
Considers the Native American abandonment of the South Carolina coast A prevailing enigma in American archaeology is why vast swaths of land in the Southeast and Southwest were abandoned between AD 1200 and 1500. The most well-known abandonments occurred in the Four Corners and Mimbres areas of the Southwest and the central Mississippi valley in the twelfth and thirteenth centuries and in southern Arizona and the Ohio Valley during the fifteenth century. In Megadrought in the Carolinas: The Archaeology of Mississippian Collapse, Abandonment, and Coalescence, John S. Cable demonstrates through the application of innovative ceramic analysis that yet another fifteenth-century abandonment event ...
The Picaresque Novel in Western Literature
Explores picaresque fiction across ages and cultures, providing a revealing and fresh examination of this literary genre.
Reclaiming Poch@ Pop: Examining the Rhetoric of Cultural Deficiency
Tracing the historical trajectory of the pocho (Latinos who are influenced by Anglo culture) in pop culture, Medina shows how the trope of pocho/pocha/poch@, which traditionally signified the negative connotation of "cultural traitor" in Spanish, has been reclaimed through the pop cultural productions of Latinos who self-identify as poch@.
