You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Every five years from 1955 to 1985, mass Czechoslovak gymnastic demonstrations and sporting parades called Spartakiads were held to mark the 1945 liberation of Czechoslovakia. Involving hundreds of thousands of male and female performers of all ages and held in the world’s largest stadium—a space built expressly for this purpose—the synchronized and unified movements of the Czech citizenry embodied, quite literally, the idealized Socialist people: a powerful yet pliant force directed by the regime. This book explores the political, social, and aesthetic dimensions of these mass physical demonstrations, with a particular focus on their roots in the völkisch nationalism of the German Turner movement and the Czech Sokol gymnastic tradition. Featuring an abundance of photographs, Spartakiads takes a new approach to Communist history by opening a window onto the mentality and mundanity behind the Iron Curtain.
A cultural history of the Czech people, examining the significance of the small central European nation's artistic, literary, and political developments from its origins through approximately 1960.
It has been said that during times of war, the Muses fall silent. However, anyone who has read the major figures of mid-twentieth-century literature—Samuel Beckett, Richard Hillary, Norman Mailer, Albert Camus, Jean-Paul Sartre, and others—can attest that it was through writing that people first tried to communicate and process the horrors that they saw during one of the darkest times in human history even as it broke out and raged on around them. In Bearing Witness, John Carpenter explores how across the world those who experienced the war tried to make sense of it both during and in its immediate aftermath. Writers such as Alexander Solzhenitsyn and Theodore Plievier questioned the rul...
description not available right now.