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Wagner's Melodies
Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
Richard Wagner's Zurich
An investigation of the considerable influence of Wagner's stay in Zurich from 1849 to 1858 -- a period often discounted by scholars -- on his career. When the people of Dresden rose up against their king in May 1849, Richard Wagner went from Royal Kapellmeister to republican revolutionary overnight. He gambled everything, but the rebellion failed, and he lost all. Now a wantedman in Germany, he fled to Zurich. Years later, he wrote that the city was "devoid of any public art form" and full of "simple people who knew nothing of my work as an artist." But he lied: Zurich boasted arguably the world's greatest concentration of radical intellectuals and a vibrant music scene. Wagner was accepted...
European Weapons and Warfare 1618 - 1648
A reprint of Wagner's classic study of the 30 Year's War period The Thirty Years’ War, which encompassed the entire European continent, was one of the great watersheds of European history. It was a war which involved religious, political and economic contentions. And it was one which changed the face of Europe irreversibly. European Weapons and Warfare 1618-1648 is a minutely-detailed survey of the armies of this extraordinary period. It discusses the developments in strategy and organization and demonstrates these with full diagrams. The techniques of hand-to-hand combat, together with edged weapons, hand guns, artillery and fortifications, are clearly illustrated with drawings taken from...
Wagner's Parsifal
William Kinderman's detailed study of Parsifal, described by the composer as his "last card," explores the evolution of the text and music of this inexhaustible yet highly controversial music drama across Wagner's entire career, and offers a reassessment of the ideological and political history of Parsifal, shedding new light on the connection of Wagner's legacy to the rise of National Socialism in Germany. The compositional genesis is traced through many unfamiliar manuscript sources, revealing unsuspected models and veiled connections to Wagner's earlier works. Fresh analytic perspectives are revealed, casting the dramatic meaning of Parsifal in a new light. Much debated aspects of the wor...
Wagner's Meistersinger
Richard Wagner's "Die Meistersinger von Nürnberg" has been one of the most performed operas ever since its premier in 1868, as it epitomizes themes of Germanness. This volume examines the representation of German history in the opera and the way it has functioned in history through political appropriation and staging practice. in performance.
The Life and Legacy of Franz Xaver Hauser
In this remarkable biography, Dale A. Jorgenson discloses the great legacy left by Hauser for future generations. Hauser's finest contribution was his achievement in cataloging all of Bach's known works and his collecting and disseminating for live performance all the original manuscripts and authentic copies of Bach's work he could obtain - materials he than made available to the Bach Society, founded in Leipzig in 1850.
German-Jewish Cultural Identity from 1900 to the Aftermath of the First World War
By illustrating the quintessentially different self-perceptions of three German writers of Jewish background, all born in or around 1880 in Berlin, this book examines a range of German-Jewish identities in a socio-cultural context in Wilhelmine Germany. Moritz Goldstein (1880-1977), the conflict of his dual identity and the interplay between being a German writer and a cultural Zionist is covered first. Particular attention is given to the genesis of his essay 'Deutsch-jüdischer Parnaß' with its call for Jews to vacate their seats in German literary culture. The range of positions unfolding in the debate, following its publication in 'Der Kunstwart' in 1912, serves to illustrate the spectr...
Hitler
This detailed reference guide, based on a vast amount of source data, traces every known detail of Hitler's career, with extensive quotation both from Hitler's own speeches and writings and from those of his contemporaries. This new edition features an enlarged and updated bibliography and introduction.
Hitler's Wehrmacht, 1935–1945
An “impressively comprehensive” study of the Nazi military and its culpability in war crimes by “one of the foremost historians of World War II” (Stephen G. Fritz, author of Ostkrieg). Since the end of World War II, Germans have struggled with the legacy of the Wehrmacht—the unified armed forces mobilized by Adolf Hitler in 1935. Historians have vigorously debated whether the Wehrmacht's atrocities represented a break with the past or a continuation of Germany's military traditions. Now available for the first time in English, this meticulously researched yet accessible overview by eminent historian Rolf-Dieter Müller provides a comprehensive analysis of the Wehrmacht, illuminatin...
Hitler 1936-1945
Following the enormous success of HITLER: HUBRIS this book triumphantly completes one of the great modern biographies. No figure in twentieth century history more clearly demands a close biographical understanding than Adolf Hitler; and no period is more important than the Second World War. Beginning with Hitler's startling European successes in the aftermath of the Rhinelland occupation and ending nine years later with the suicide in the Berlin bunker, Kershaw allows us as never before to understand the motivation and the impact of this bizarre misfit. He addresses the crucial questions about the unique nature of Nazi radicalism, about the Holocaust and about the poisoned European world that allowed Hitler to operate so effectively.
