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Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.
In Relations, AnnKatrin Jonsson develops a new understanding of ethics and subjectivity within high modernism. The author analyzes Joyce's Ulysses, Woolf's The Waves, and Barnes's Nightwood as narratives that depict a subject turning towards the other and the world, a movement that seriously questions the sovereignty of the subject as cogito, instead opening up for otherness, excess, and indeterminacy. The author points to convergences between a phenomenological manner of thinking found in modernist literature and the notion of an ethics and an ethical subjectivity, a subject who exists in an inescapable relation with the world. As the novels acknowledge otherness, there is a rebound effect ...
This anthology of twenty-two short stories by contemporary North Carolina writers, selected by Gingher, the longtime book review editor of the Greensboro News and Record, is a testament to the vitality of the literary tradition of the state. Contributors include Alice Adams, Maya Angelou, Doris Betts, Fred Chappell, Clyde Edgerton, Kaye Gibbons, Allan Gurganus, Randall Kenan, Reynolds Price, and Lee Smith.
Scarlett Baron explores the works of two of the most admired and mythologized masters of nineteenth- and twentieth-century prose: Gustave Flaubert (1822-1880) and James Joyce (1882-1941). She uncovers the lifelong fascination that Joyce harboured for Flaubert and investigates how this heightened interest inflected his own creative practice.
The House Across the Street is a story about a young boy who watches his childhood playground, in the rurals of Mobile, Alabama, become a beautiful Victorian estate. Young Nelson spends a lifetime trying to acquire, not only a home, but also a special someone who lives inside. Youll watch him grow into a mature man and take on responsibilities he thought was unattainable. You will be inspired by his perseverance and tenacity against all odds to be a man that every parent would be proud of.
Old Testament prophecy and wisdom are two of the main themes with which Norman Whybray, formerly of the University of Hull, has concerned himself in his highly productive and innovative scholarly career. In honour of his seventieth birthday,a distinguished international group of scholars have expressed their personal and professional admiration for him with essays that Are particularly rich And significant. The roll-call of contributors reads: Brenner, Brueggemann, Cazelles, Clements, Clines, Coggins, Crenshaw, Eaton, Gelston, Gordon, Goulder, Grabbe, Jeppersen, Knibb, Mayes, Mettinger, Soggin and Williamson.
This study explores James Joyce's struggle to come to terms with the aesthetic outlooks current at the beginning of the century by examining his portrayal of their dangers and attractions in his two most fully realized characters, Stephen Dedalus in Portrait of the Artist as a Young Man and Leopold Bloom in Ulysses.
Literatures, Cultures, Translation presents a new line of books that engage central issues in translation studies such as history, politics, and gender in and of literary translation. This is a culturally situated study of the interface between three forms of transtextual rewriting: translation, adaptation and imitation. Two questions are raised: first, how a broader rubric can be formulated for the inclusion of the latter two forms within Translation Studies research, and second, how this enlarged definition of translation enables us to understand the incompatibilities between contemporary Western theories of translation and East Asian realities, past and present. Recent decades have seen a...
This book is a complete re-assessment of the works of J.M. Synge, one of Ireland's major playwrights. The book offers the first complete consideration of all of Synge's major plays and prose works in nearly 30 years, drawing on extensive archival research to offer innovative new readings. Much work has been done in recent years to uncover Synge's modernity and to emphasise his political consciousness. This book builds on this re-assessment, undertaking a full systematic exploration of Synge's published and unpublished works. Tracing his journey from an early Romanticism through to the more combative modernism of his later work, the book's innovative methodology treats text as process, and co...