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At the height of the opiate epidemic, Tennessee lawmakers made it a crime for a pregnant woman to transmit narcotics to a fetus. They promised that charging new mothers with this crime would help them receive the treatment and support they often desperately need. In Prosecuting Poverty, Criminalizing Care, Wendy Bach describes the law's actual effect through meticulous examination of the cases of 120 women who were prosecuted for this crime. Drawing on quantitative and qualitative data, Bach demonstrates that both prosecuting 'fetal assault', and institutionalizing the all-too-common idea that criminalization is a road to care, lead at best to clinically dangerous and corrupt treatment, and at worst, and far more often, to an insidious smokescreen obscuring harsh punishment. Urgent, instructive, and humane, this retelling demands we stop criminalizing care and instead move towards robust and respectful systems that meet the real needs of families in poor communities.
"First the structure of this particular law: Technically speaking, the legislature created this crime, not by creating an entirely new crime but by enacting a law clarifying an existing criminal statute. This is how it worked: Like every other state, Tennessee makes assault a crime. It is an misdemeanor, which means that if you violate the statute, you can be incarcerated for no more than eleven months and twenty-nine days. Assault is defined, in Tennessee, as "[i]ntentionally, knowingly or recklessly caus[ing] bodily injury to another . . . ." You will notice, when you read this, that this particular language says nothing about pregnancy or a fetus. For prosecutors who might want a to charg...
So much, popular and scholarly, has been written about the synthesizer, Bob Moog and his brand-name instrument, and even Wendy Carlos, the musician who made this instrument famous. No one, however, has examined the importance of spy technology, the Cold War and Carlos's gender to this critically important innovation. Through a postcolonial lens of feminist science and technology studies, Roshanak Kheshti engages in a reading of Carlos's music within this gendered context. By focusing on Switched-On Bach (the highest selling classical music recording of all time), this book explores the significance of gender to the album's--and, as a result, the Moog synthesizer's--phenomenal success.
Drawing on published and unpublished interviews with Wendy Carlos and with other people in her life and career, this full biography tells the story of Carlos' life from her childhood in Pawtucket, Rhode Island to her present life in New York and the secrecy that has surrounded it.
“Just as the Black Lives Matter movement and recent protests have shown the leadership of women of color in organizing against the prison state, this book will show the leadership of women, which is too often ignored, in the innocence movement.” —Aya Gruber, Professor of Law, University of Colorado Law School, author of The Feminist War on Crime Through the lens of her work with the Innocence Movement and her client Leigh Stubbs—a woman denied a fair trial in 2000 largely due to her sexual orientation—innocence litigator, activist, and founder of the West Virginia Innocence Project Valena Beety examines the failures in America’s criminal legal system and the reforms necessary to ...
This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in 'Switched-on Bach', this text conveys the consequences of a technology that would provide the soundtrack for a chapter in cultural history.
An overview of the role played by federalism in anti-poverty policy and in poverty law.
A collection of charmingly illustrated and inspiring profiles of fifty pioneering female artists, from the eleventh century to today—by the New York Times bestselling author of Women in Science “A beautifully illustrated, fact-filled breath of fresh air! Countless women have been left out of art history, but thanks to gorgeous books like this, future generations will begin to know their stories.”—Danielle Krysa, founder of The Jealous Curator Women make masterpieces! Through fifty fascinating profiles, Women in Art highlights the achievements and stories of fifty notable women in the arts—from well-known figures like painters Frida Kahlo and Georgia O'Keefe, to lesser-known names like nineteenth-century African American quilter Harriet Powers and Hopi-Tewa ceramic artist Nampeyo. Covering a wide array of artistic mediums, Women in Art also contains infographics about artistic movements throughout history, statistics about women’s representation in museums, and notable works by women. This fascinating book celebrates the success of the bold female creators who inspired the world and paved the way for the next generation of artists.
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.