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Uncover the secret Chicago laboratory of Frank Lloyd Wright's Prairie Style. Before Frank Lloyd Wright officially launched America's most famous architectural career, he was designing the building blocks of his legendary prairie style on the side. In violation of his contract with his employers, Adler and Sullivan, Wright moonlighted as an independent architect from his Oak Park studio. From 1892 through the spring of 1893, he experimented with the elements that would become his signature in houses in Chicago, La Grange and Oak Park. The full roster of these "bootleg homes" has remained a matter of mystery and debate. Robert Hartnett seeks to provide the first definitive account of the hidden artifacts of Wright's storied legacy.
*As heard on BBC Radio 4 Woman's Hour* *A Blackwell's and Waterstones Best Popular Science Book of 2022* 'Excellent ... one of those rare pop-science books that make you look at the whole world differently' The Daily Telegraph ***** 'Riveting' Mail on Sunday ***** 'Captivating' Guardian, Book of the Day 'Compelling' Observer Sarah Chaney takes us on an eye-opening and surprising journey into the history of science, revisiting the studies, landmark experiments and tests that proliferated from the early 19th century to find answers to the question: what's normal? These include a census of hallucinations - and even a UK beauty map (which claimed the women in Aberdeen were "the most repellent"). On the way she exposes many of the hangovers that are still with us from these dubious endeavours, from IQ tests to the BMI. Interrogating how the notion and science of standardisation has shaped us all, as individuals and as a society, this book challenges why we ever thought that normal might be a desirable thing to be.
Hailed by critic Anthony Boucher as "one of the best detective stories of modern times," this classic tale by Grand Master Dorothy Salisbury Davis combines suspense and psychological insight as a priest and a police detective both race to find a self-confessed murderer before he is compelled to kill again. "Bless me, Father, for I have sinned ..." Father Duffy has heard many confessions through the years, but none quite so disturbing as the one he's heard tonight. A young man enters the confessional just as the priest is readying to leave for the evening; he's distraught that he has killed a woman in a paroxysm of uncontrollable rageāand he's still wielding the hammer he used to do the dee...
Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.
The Mystery Fancier, Volume 8 Number 6, November-December 1986, contains: "Spade Trumps Unplayed," by Jeff Banks, "The Singular Miss Seeton," by Neysa Chouteau, "Cornell Woolrich: The Last Years (Part II)," by Francis M. Nevins, Jr., "William MacHarg's O'Malley: Transitional Cop," by George N. Dove, "Let the Public Decide: An Interview with Nicolas Freeling," by Jane S. Bakerman, "A Gun-Toting Yankee in King Arthur's Court: The Violent World of Dempsey and Makepeace," by R. E. Skinner and "Further Gems from Literature," by William F. Deeck.
A bibliography of various mystery novels published between November 1976 and Fall 1992.
The sea and Great Lakes have inspired American authors from colonial times to the present to produce enduring literary works. This reference is a comprehensive survey of American sea literature. The scope of the encyclopedia ranges from the earliest printed matter produced in the colonies to contemporary experiments in published prose, poetry, and drama. The book also acknowledges how literature gives rise to adaptations and resonances in music and film and includes coverage of nonliterary topics that have nonetheless shaped American literature of the sea and Great Lakes. The alphabetical arrangement of the reference facilitates access to facts about major literary works, characters, authors, themes, vessels, places, and ideas that are central to American sea literature. Each of the several hundred entries is written by an expert contributor and many provide bibliographical information. While the encyclopedia includes entries for white male canonical writers such as Herman Melville and Jack London, it also gives considerable attention to women at sea and to ethnically diverse authors, works, and themes. The volume concludes with a chronology and a list of works for further reading.
The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes...