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This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
Recounts the history of a liturgical play produced by an African American church in Atlanta since 1930
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Gathers contributions on women in the theater as actresses, playwrights, designers, etc. and contains a section on feminist theater.
No Surrender! No Retreat! examines the careers of fifteen pioneer performers and their triumphs over herculean obstacles. It is a look back over the 20th century and documents personal histories of staggering achievement in spite of institutional racism, gender oppression, and classism. Twenty-four years in the making, No Surrender! No Retreat! is an indispensable work on African Americans in the performing arts, examining well-known performers, such as James Earl Jones, Morgan Freeman, and Pearl Bailey. Rare archival material and a number of personal interviews enrich this tome. Glenda E. Gill s work is a moving and sometimes tragic account of the lives and careers of some of America s most outstanding African American pioneers in theater.
By definition, feminism is concerned with the historical, social and political meanings of sexual difference in the human body, and the spectrum of experiences those meanings produce. At the beginning of the twenty-first century, gendered forms of violence persist, abortion remains a political issue, reproductive and cosmetic technologies and their concomitant ethical questions are proliferating, and the presence of women’s bodies in public spaces and for public consumption produces a range of anxieties about women’s well-being and the common good. Feminist scholars from across the disciplines grapple with these issues in Feminism and the Body. In so doing they continue a history of inte...