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A time travel epic featuring history and romance, Outlander--unlike most adventure series--is aimed at women audiences. The kilted male characters, the female narrator, the fantastic period costumes are atypical of male-gendered television. Both the show and the novels on which it is based address issues most series shy away from, like breast feeding, abortion and birth control. Role reversals are common--the powerful Claire rescues her virginal husband Jamie from sexual abuse. When the villainous Black Jack Randall displays his genitals to the heroine Jenny, she laughs. This collection of new essays examines Outlander as an exploration of what it means to be a capable 18th century woman and what it means in the modern world. As Claire explores different models of strength in both periods, Jamie comes to understand the nuances of male honor, power and alternative sexuality through the contrasting figures of Black Jack and Lord John. As the heroes negotiate the complications of marriage and life, they make discoveries about gender that resonate with modern audiences.
Until recently professionalism was transmitted by respected role models, a method that depended heavily on the presence of a homogeneous society sharing values. This is no longer true, and medical schools and postgraduate training programs in the developed world are now actively teaching professionalism to students and trainees. In addition, licensing and certifying bodies are attempting to assess the professionalism of practising physicians on an ongoing basis. This is the only book available to provide guidance to those designing and implementing programs on teaching professionalism. It outlines the cognitive base of professionalism, provides a theoretical basis for teaching the subject, gives general principles for establishing programs at various levels (undergraduate, postgraduate, and continuing professional development), and documents the experience of institutions who are leaders in the field. Teaching aids that have been used successfully by contributors are included as an appendix.
Over its five seasons on the air, the televised series Outlander has combined romance, adventure, history, and time travel into a classic saga of love, war, and the ties that bind family together. After surviving the 1746 uprising of the Scottish Highlanders, the intrigue-ridden Paris of Charles Stuart, and a sea voyage across the Caribbean, Claire and Jamie Fraser finally settle in the mountains of North Carolina. There, they build a community of immigrant farmers who continue to struggle for justice, democracy, and independence from British colonialism. This companion volume offers detailed information on more than 125 topics including characters, themes, places, events, actors, herbalism, and historical chronology. For fans and scholars alike, it separates fact from fiction and aids in understanding the effects of the 1746 Jacobite uprising on the formation of the United States.
**Shortlisted for the 2021 Ned Kelly Award for True Crime** Shocking real-life stories of murderous women who used rat poison to rid themselves of husbands and other inconvenient family members. For readers of compelling history and true crime, from critically acclaimed, award-winning author Tanya Bretherton. After World War II, Sydney experienced a crime wave that was chillingly calculated. Discontent mixed with despair, greed with callous disregard. Women who had lost their wartime freedoms headed back into the kitchen with sinister intent and the household poison thallium, normally used to kill rats, was repurposed to kill husbands and other inconvenient family members. Yvonne Fletcher di...
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“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.