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Who gets to say what counts as contemporary art? Artists, critics, curators, gallerists, auctioneers, collectors, or the public? Revealing how all of these groups have shaped today’s multifaceted definition, Terry Smith brilliantly shows that an historical approach offers the best answer to the question: What is Contemporary Art? Smith argues that the most recognizable kind is characterized by a return to mainstream modernism in the work of such artists as Richard Serra and Gerhard Richter, as well as the retro-sensationalism of figures like Damien Hirst and Takashi Murakami. At the same time, Smith reveals, postcolonial artists are engaged in a different kind of practice: one that builds ...
GeoBritannica concerns the geological legacy of Britain. It discusses the origins of these island landscapes and how people have used its material and shapes both practically and artistically.
Examines the classical Islamic world through its greatest architectural sites and art treasures, providing examples of Islamic architecture, carpets and textiles, paintings, illuminated manuscripts, and calligraphy, and showing the evolution of their forms and styles.
Michael Bogdanov looks at Shakespeare's histories, drawing comparisons with current political intrigues, infighting and lust for power.
The present book aims to take on this challenge by looking at the major problems from these various aspects, as just mentioned. Obviously, one short book can hardly address all these problems and suggest solutions without certain simplifications and potentially controversial assertions. Nevertheless, it can hope to present a systematic analysis and suggested prognosis based on a coherent philosophy. As indicated above, nothing is more needed in our times, and second to spiritual weakening, the greatest problem of all facing the Islamic World (and indeed the whole world) is lack of understanding of the true natures and essences of things. This book examines ‘our times’ from an Islamic phi...