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The Grand Scribe's Records
This project will result in the first complete translation of the Shih chi (The Grand Scribe s Records), one of the most important narratives in traditional China. Ssu-ma Ch ien (145-c.86 B.C.), who compiled the work, is known as the Herodotus of China. -- Publisher.
Ming Dynasty Tales
With commentary and annotations throughout, Ming Dynasty Tales: A Guided Reader presents for the first time in English 10 key stories from China's Ming Dynasty era. Casting new light on this significant period in Chinese literary history, these tales bring Ming era China vividly to life, from its chaotic beginnings to its imperial heyday. As well as bearing witness to social change across the 100-year life of the Yuan Dynasty from 1260 to 1368, these tales tackle key themes of war and peace and Confucian values of loyalty, filiality, chastity, and righteousness.
Lord of the Three in One
Lin Zhao'en (1517–1598) set out to popularize Confucianism by combining Confucian studies with Daoist inner alchemical techniques and Buddhist Chan philosophy into something he called the Three in One Teachings. Despite periods of clandestine activity since its inception, the Three in One cult has undergone a remarkable revival in post-Mao China: today Lin is worshipped throughout Southeast China and Southeast Asia as Lord of the Three in One in over a thousand temples by tens of thousands of cult initiates. Many of the temples have been restored since 1979, when China began to experience an explosive resurgence of popular culture and religion. In this book, based on ten years of field wor...
The Grand Scribe's Records, Volume VII
This volume is part of the first complete translation (in nine volumes) of the Shih chi (The Grand Scribe's Records), one of the most important narratives in traditional China. Compiled by Ssu-ma Ch'ien (145-c. 86 B.C.), it draws upon most major early historical works and was the foremost model for style and genre in Chinese history and literature through the eleventh century A. D., and through the early twentieth century for some genres. Volume 7, The Memoirs of Pre_Han China, translates twenty-eight Lieh-chuan or "memoirs" which depict more than a hundred men and women: sages and scholars, recluses and rhetoricians, persuaders and politicians, commandants and cutthroats of the Ch'in and earlier dynasties. Although the memoirs also begin with what is now often considered myth—an account of the renowned recluses Po Yi and Shu Ch'i—the emphasis in these texts is on the fate of various states and power centers as seen through the biographies of key individuals from the seventh to the third centuries B. C.
Tang Dynasty Tales
The book provides the most up-to-date and comprehensive survey of the genre of Tang tales in English, including discussions of the numerous Chinese studies from the last decade. Tang Tales itself contains the first annotated translations of these famous stories, which are deciphered and interpreted specifically for students and scholars interested in the medieval Chinese literature. Following the model of intertextual readings employed by Glen Dudbridge in The Tale of Li Wa (Oxford, 1983), the annotation points to the resonances to the classical texts; the translator's notes following each translation then explain how these references expand the meaning of the text. In addition to six transl...
Architecture of Expo 2010 Shanghai
This vital book captures and presents more than 60 examples of architecture and design created and built for World Expo 2010 Shanghai in four chapters, with content and design examples submitted by the architects involved in creating these landmark buildings
Broadway Musicals, 1943-2004
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Dreams in Chinese Fiction
This book considers the contemporary political formula of the “Chinese Dream” in the light of the treatment of dreams in Chinese literary history since antiquity. Sinic literary and philosophical texts document an extensive spectrum of dream possibilities: starting with Zhuangzi’s eminent butterfly dream, an early example of the inversion of the dreamer’s reality, through to confusing visions of the spiritual realm. In classical dramas, novels, and ghost stories, dreams see the earthly realm enter into conflict with higher realms of existence. They indulge the dreamer’s quest for sensual pleasures, but then spiritual beings relentlessly harvest the dreamers’ life energy. Dreams promise spiritual enlightenment – only to abandon the dreamer in a state of utter confusion. In the early twentieth century, traditional dream knowledge is abandoned in favour or Freudian episodes of sexual repression. In this context, the collective national dream emerges as an unexpected vehicle of the pained individual’s hope for national rejuvenation.
The Grand Scribe's Records, Volume IX
A remarkable document of ancient Chinese history: “[An] indispensable addition to modern sinology.” —China Review International This volume of The Grand Scribe’s Records includes the second segment of Han-dynasty memoirs and deals primarily with men who lived and served under Emperor Wu (r. 141–87 B.C.). The lead chapter presents a parallel biography of two ancient physicians, Pien Ch’üeh and Ts’ang Kung, providing a transition between the founding of the Han dynasty and its heyday under Wu. The account of Liu P’i is framed by the great rebellion he led in 154 B.C. and the remaining chapters trace the careers of court favorites, depict the tribulations of an ill-fated general, discuss the Han’s greatest enemy, the Hsiung-nu, and provide accounts of two great generals who fought them. The final memoir is structured around memorials by two strategists who attempted to lead Emperor Wu into negotiations with the Hsiung-nu, a policy that Ssu-ma Ch’ien himself supported.
