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Both architecture and anthropology emerged as autonomous theoretical disciplines in the 18th-century enlightenment. Throughout the 19th century, the fields shared a common icon—the primitive hut—and a common concern with both routine needs and ceremonial behaviours. Both could lay strong claims to a special knowledge of the everyday. And yet, in the 20th century, notwithstanding genre classics such as Bernard Rudofsky’s Architecture without Architects or Paul Oliver’s Shelter, and various attempts to make architecture anthropocentric (such as Corbusier’s Modulor), disciplinary exchanges between architecture and anthropology were often disappointingly slight. This book attempts to l...
240 cm is the standard distance between floor and ceiling in residential buildings: the height of the void we inhabit. In its precision, and its emptiness, the number reflects contemporary interior architecture's condition. In a series of essays, 'House Tour' explores an interior that is both familiar and seemingly uninhabited, critically celebrating a peculiar genre of representation, the architectural photography of an unfurnished interior. The authors - including anthropologists, architecture theorists and art historians - consider the ubiquitous contemporary apartment from an eye-level view, foregrounding the appearance and material presence of the architectural shell. They start out from photographs of unfurnished interiors found on the websites of leading Swiss architecture firms. They have a blank, labyrinthine appearance, with walls intersecting at oblique angles and exits seemingly leading nowhere, and show featureless rooms with seamless trans.
He'd fathered her son—and didn't know it. Yet! The guy with the sexy smile staring at Cassie Montgomery from Single Men of Alaska magazine wasn't just fantasy fodder—but the answer to Cassie's personal mystery. Cassie didn't regret a thing about bringing her son, Tyler, into the world—except not knowing his daddy's name. Now she'd found him—and she was getting her snowshoes out pronto! Adam Baranof couldn't believe it when the one woman he'd chosen to meet out of hundreds told him she'd borne him a son four years ago. Becoming Tyler's instant daddy would be a dream come true—but what would Cassie do if she learned the secret Adam kept about the night they'd met...?
What do diplomats actually do? That is what this text seeks to answer by describing the various stages of a typical diplomat’s career. The book follows a fictional diplomat from his application to join the national diplomatic service through different postings at home and overseas, culminating with his appointment as ambassador and retirement. Each chapter contains case studies, based on the author’s thirty year experience as a diplomat, Ambassador, and High Commissioner. These illustrate such key issues as the role of the diplomat during emergency crises or working as part of a national delegation to a permanent conference as the United Nations. Rigorously academic in its coverage yet extremely lively and engaging, this unique work will serve as a primer to any students and junior diplomats wishing to grasp what the practice of diplomacy is actually like.
This captivating Regency-era mystery inspired by the novels of Jane Austen is perfect for fans of Andrea Penrose, Lauren Willig, and Deanna Raybourn, as readers venture beyond the glittering ballrooms and elegant parties of Regency London to the dark side of the city and its unexpected dangers. Rosalind Thorne may not have a grand fortune of her own, but she possesses virtues almost as prized by the haut ton: discretion, and a web of connections that enable her to discover just about anything about anyone. Known as a “most useful woman,” Rosalind helps society ladies in need—for a modest fee, of course—and her client roster is steadily increasing. Mrs. Gerald Douglas, née Bethany Ho...
Explores how Soviet architects reimagined the built environment through the principles of the human sciences During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. Architecture of Life delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of ...
Richard Ayoade edits and introduces this defining work of the great midcentury visionary of stage and screen -- rediscovered and republished by Faber & Faber. This volume of Harauld Hughes's last four screenplays includes a preface and afterword by the author. THE TERRIBLE WITCH A feisty undergraduate uncovers fresh witchy business in Ipswich. THE AWFUL WOMAN FROM SPACE Two top feminist scientists find their sense of sisterhood challenged by the arrival of an intergalactic uber-femme. THE DEADLY GUST This ill wind blows no one any good in one of Hughes's most elliptical works for the screen. THE GLOWING WRONG When two research scientists are asked to move their lab facility into a cursed church, they awake an ancient evil at the heart of the British government.
Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politic...
This book explores the representation of fatherhood in contemporary North American autobiographical comics that depict paternal conduct from the post-war period up to the present. It offers equal space to autobiographical comics penned by daughters who represent their fathers’ complicated and often disappointing behavior, and to works by male cartoonists who depict and usually celebrate their own experiences as fathers. This book asks questions about how the desire to forgive or be forgiven can compromise the authors’ ethics or dictate style, considers the ownership of life stories whose subjects cannot or do not agree to be represented, and investigates the pervasive and complicated effects of dominant masculinities. By close reading these cartoonists’ complex strategies of (self-)representation, this volume also places photography and archival work alongside the problematic legacy of self-deprecation carried on from underground comics, and shows how the vocabulary of graphic narration can work with other media and at the intersection of various genres and modes to produce a valuable scrutiny of contemporary norms of fatherhood.
A powerful reminder to anyone who thinks design is primarily a visual pursuit, The Senses accompanies a major exhibition at the Cooper-Hewitt Smithsonian Design Museum that explores how space, materials, sound, and light affect the mind and body. Learn how contemporary designers, including Petra Blaisse, Bruce Mau, Malin+Goetz and many others, engage sensory experience. Multisensory design can solve problems and enhance life for everyone, including those with sensory disabilities. Featuring thematic essays on topics ranging from design for the table to tactile graphics, tactile sound, and visualizing the senses, this book is a call to action for multisensory design practice. The Senses: Design Beyond Vision is mandatory reading for students and professionals working in diverse fields, including products, interiors, graphics, interaction, sound, animation, and data visualization, or anyone seeking the widest possible understanding of design. The book, designed by David Genco with Ellen Lupton, is edited by Lupton and curator Andrea Lipps. Includes essays by Lupton, Lipps, Christopher Brosius, Hansel Bauman, Karen Kraskow, Binglei Yan, and Simon Kinnear.