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First English-language anthology of one of Latin America’s pre-eminent Marxist writers The Argentine-born writer Adolfo Gilly has directly observed many of Latin America’s most dramatic events, from the Bolivian Revolution of the 1950s and Cuba during the Missile Crisis to the guerrilla wars of Central America and Mexico’s Zapatista uprising. Paths of Revolution presents the first representative selection from across his extensive body of work, collecting close-quarters reportage, sharp political analyses and reflections on art and letters. A living link between the New Left of the 1960s and the Pink Tide of recent decades, Gilly once described the twentieth century as a series of lightning flashes which can illuminate our present-day predicament. The essay form is where he fully comes into his own, covering a truly impressive range of topics and places. This collection draws out the continuities within one of the world’s more vibrant and politically successful left traditions. In the introduction, Tony Wood (author of Russia Without Putin) offer an overall portrait of Gilly’s life and work.
DIVAn interdisciplinary anthology that includes many primary resources never before published in English./div
The Reinvention of Mexico explores the ideological conflict between neoliberalism and nationalism that has been at the core of economic and political development in Latin America since the mid-1980s. Grappling with a wide variety of issues generated by the dismantling of the statist economy and subsequent climate of market reforms, this timely volume shows that Mexico's transformation in the 1990s has broader implications for the study of nationalism. A welcome contribution to the literature on Latin American history, The Reinvention of Mexico offers important insight into national responses to globalization and the most appropriate vision of political economy in Latin America.
The extended critical interview is especially flexible as a form, by turns tenacious and glancing, elliptical or sustained, combining argument and counter-argument, reflection, history and memoir with a freedom normally denied to its subjects in conventional writing formats. Lives on the Left brings together sixteen such interviews from New Left Review in a group portrait of intellectual engagement in the twentieth century and since. Four generations of intellectuals discuss their political histories and present perspectives, and the specialized work for which they are, often, best known. Their recollections span the century from the Great War and the October Revolution to the present, rangi...
Placing this book in the context of NAFTA and Mexican movements for social change, journalist and historian Dan La Botz unveils the forces behind Marcos and the Zapatista Rebellion of January 1994 and re-examines the circumstances surrounding the assasination of presidential candidate Luis Donaldo Colosio. Contains a detailed analysis of how Ernesto Zedillo and the PRI won the August 21, 1994 elections and includes an examination of widespread electoral fraud. La Botz provides a first-hand account of the founding of National Democratic Converntion (CND), the new force for democracy and social justice in Mexico led by Rosario Ibarra. Ibarra is Mexico's leading human rights activist and first woman presidential candidate.
“An excellent account and analysis of the Mexican Revolution, its background, its course, and its legacy . . . an important contribution [and] a must read!” (Samuel Farber, author of Cuba Since the Revolution of 1959). The most significant event in modern Mexican history, the Mexican Revolution of 1910-20 remains a subject of debate and controversy. Why did it happen? What makes it distinctive? Was it even a revolution at all? In The Mexican Revolution, Stuart Easterling offers a concise chronicle of events from the fall of the longstanding Díaz regime to Gen. Obregón’s ascent to the presidency. In a comprehensible style, aimed at students and general readers, Easterling sorts through the revolution’s many internal conflicts, and asks whether or not its leaders achieved their goals.
This book consists of incisive and imaginative readings of culture, politics, and history – and their intersections – in eastern India from the 16th to the 20th century. Focusing especially on Assam, Odisha, Bengal, and their margins, the volume explores Indo-Islamic cultures of rule as located on the cusp of Mughal-cosmopolitan and regional–local formations. Tracking sensibilities of time and history, senses of events and persons, and productions of the past and the present, the volume unravels intimate expressions of aesthetics and scandals, heroism and martyrdom, and voice and gender. It examines key questions of the interchanges between literary cultures and contending nationalisms, culture and cosmopolitanism, temporality and mythology, literature and literacy, history and modernity, and print culture and popular media. The book offers grounded and connected accounts of a large, important region, usually studied in isolation. It will be of interest to scholars and students of history, literature, politics, sociology, cultural studies, and South Asian studies.
Crimes against History takes a global approach to the extreme forms of censorship to which history and historians have been subjected through the ages. The book opens by considering the varieties of censorship, from suppression, dismissal, and defamation to persecution and murder. Part I, "Kill switch," tells the tragic story of how the censorship of history has sometimes turned into deadly crimes against history, with chapters looking at topics such as historians and archivists being killed for political reasons, attacks by political leaders on historians, iconoclastic breaks with the past, and fake news. Part II, "Fragile freedom," reverses the perspective and examines how the censorship of history has backfired. Chapters consider the subversive power of historical analogies and resistance to the censorship of history. The book also contains a "Provisional memorial for history producers killed for political reasons (from ancient times until 2017)". It is a double tribute: to the history producers who were killed and to those who mustered the courage to resist the blows of censorship.