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The Process of Literature
Originally published in 1929, The Process of Literature is a study of the art of letters considered from a new point of view, as a process of human activity rather than as a series of objects produced by that activity. It was intended for the writer, critic, and teacher, as well as the professional psychologist.
The Learned and the Lewed
The essays gathered in this volume, organized around the theme of medieval literature, display a great range of subjects and of critical approaches. One third of the pieces deal with Chaucer: his use of mythology, his characters, narrative techniques, his treatment of courtly love. Other contributions focus on medieval proverbs and ballads, medieval use of classical authors, John Gower, Lydgate, Icelandic saga, the Middle Scots poets, problems of teaching medieval drama in twentieth-century classrooms, French influences on Middle English literature, and the tale of Robin Hood.
The Caledoniad
Why did Scots in the nineteenth and twentieth centuries know so little about their past and even less about those who controlled their history? Is the historical narrative the only legitimate medium through which the past can be made known? Are novelists and historians as far apart as convention has it? In an age when history grounds any claims to national status, these are important questions and they have implications for how Scottish history has evolved, and how Scottish identity has been understood up to the present day. Scottish history is not simply the distillation of Scotland's past: authors shape what we know and how we judge our forebears. This book investigates who decided which S...
The Bloody Covenant
It was theology against politics. Ordinary men against changing systems of government and belief, fighting for what they believed was right. " The Bloody Covenant" tells the story of a period in which two rival forms of the same belief jostled to become the dominant theology in Scotland, and of how the Presbyterian covenants drove its followers into a century and a half of discrimination, violence and destruction. Of how the government of Great Britain and Ireland dealt with the northern threat of divided religious thought and the real danger of revolution. Ronald Ireland's account of the bloody history of the era is brought to life by following one ordinary man from one ordinary burgh of Scotland. An authoritative guide to how the big decisions made by some of most important people in the land affected individuals as well as the country as a whole, it is an essential and accessible read for anyone interested in the British civil wars of the seventeenth century.
Scotland: Her Story
Scotland's history has been told many times, but never exclusively by its women. This book takes a unique perspective on dramatic national events as well as ordinary life, as experienced by women down the centuries. From the saintly but severe medieval Queen Margaret to today's first minister Nicola Sturgeon, it encompasses women from all stations of class and fame and notoriety, offering a tantalising view of what happened to them, and how they felt. Drawing on court and kirk records, exchequer rolls and treasurer's accounts, diaries and memoirs, chap books and newspapers, government reports and eye-witness statements, Scotland: Her Story brings to life the half of history that has for too long been hidden or ignored. Features material by from a hugely diverse range of authors, including: Princess Matilda • St Margaret • Margaret Tudor • Mary, Queen of Scots • Lady Grizel Baillie • Elsie Inglis • Mary Slessor • Jane Carlyle • Marie Stopes • Nan Shepherd • Leila Aboulela • Winnie Ewing • Muriel Spark • Liz Lochhead • Jackie Kay • Ali Smith • Nicola Sturgeon
Coriolanus
First published in 2004, David George's majestic compendium of criticism relating to Shakespeare's Coriolanus was recognised as a major contribution to teaching and scholarship on the play. This new edition has been updated with a new supplementary introduction by the author tracing criticism on the play since that first publication, including materialist, psychoanalytic and feminist readings, as well as further readings of the play's politics. As with all titles in the series, this edition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play acro...
