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Oceanic
"Nezhukumatathil’s poems contain elegant twists of a very sharp knife. She writes about the natural world and how we live in it, filling each poem, each page with a true sense of wonder." —Roxane Gay “Cultural strands are woven into the DNA of her strange, lush... poems. Aphorisms...from another dimension.” —The New York Times “With unparalleled ease, she’s able to weave each intriguing detail into a nuanced, thought-provoking poem that also reads like a startling modern-day fable.” —The Poetry Foundation “How wonderful to watch a writer who was already among the best young poets get even better!” —Terrance Hayes With inquisitive flair, Aimee Nezhukumatathil creates a...
Lucky Fish
Lucky Fish travels along a lush current — a confluence of leaping vocabulary and startling formal variety, with upwelling gratitude at its source: for love, motherhood, “new hope,” and the fluid and rich possibilities of words themselves. With an exuberant appetite for “my morning song, my scurry-step, my dew,” anchored in complicated human situations, this astounding young poet’s third collection of poems is her strongest yet. "Nezhukumatathil's third book is fascinated with the small mechanisms of being, whether natural, personal, or imagined. Everything from eating eels in the Ozark mountains to the history of red dye finds a rich life in her poems. At times her lush settings and small stories are reminiscent of fairy tales, while at others Nezhukumatathil speaks with resonance and fierceness. Even as the poems jump from the Philippines to India to New York, they still take their time, stopping to notice that 'there is no mystery on water/ greater than the absence of rust,' and to draw small but wonderful parallels." —Publishers Weekly
At the Drive-in Volcano
The astonishing second book by a lively and inventive American poet of Filipina-Indian descent. Naomi Shihab Nye says of this book, "Aimee Nezhukumatathil's poems are . . . ripe, funny and fresh. They're the fullness of days, deliciously woven of heart and verve, rich with sources and elements-animals, insects, sugar, cardamom, legends, countries, relatives, soaps, fruits-taste and touch. I love the nubby layerings of lines, luscious textures and constructions. . . . She knows that many worlds may live in one house. . . ."
World of Wonders
A New York Times Bestseller 'Within two pages, nature writing feels different and fresh and new ... This book demands we find the eyes to see and the heart to love such things once more. It is a very fine book indeed, truly full of wonder' - James Rebanks, author of Pastoral Song 'Unusual and captivating ... a thing of wonder, the book that most took me by surprise this year' - Jini Reddy, author of Wanderland Aimee Nezhukumatathil has had many homes, but wherever she was - however awkward the fit or forbidding the landscape - she found guidance and perspective in nature. The axolotl smiles, even in the face of unkindness; the touch-me-not plant shakes off unwanted advances; the narwhal survives its hostile environment. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. Warm, lyrical and gorgeously illustrated by Fumi Mini Nakamura, this book ranges through joy and pain, encountering love, motherhood and heritage, racism and the destruction humans can wreak. In all those things, it shows that if you listen carefully, if you open your eyes wide, the world is full of wonders.
Wound from the Mouth of a Wound
A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrend...
Miracle Fruit
Poetry. As three worlds collide, a mother's Philippines, a father's India and the poet's contemporary America, the resulting impressions are chronicled in this collection of incisive and penetrating verse. The writer weaves her words carefully into a wise and affecting embroidery that celebrates the senses while remaining down-to-earth and genuine. "We see that everything is in fact miracle fruit, including this book itself"-Andrew Hudgins.
Lace & Pyrite
This reprint of Lace & Pyrite: Letters from Two Gardens by Get Fresh Books Publishing comprises all of its original poetry and includes an interview published by The Margins titled, "Our Wholeness, Our Togetherness."
No, Don't
"Elena Karina Byrne's chapbook, NO, DON'T, offers a restless portrait of identity that reflects the shifting terrains of desire and gender, of personal loss and punishing empowerment, and of political and cultural abuse. Under the influence of language's "steeplechase hours," this book's "carnal ambition" becomes a cinematic crash between fate and will as reality marries wild imagination. Each inventive poem turns perception into action and feeling into a musical art of attention as the poet travels between the past and the present, between conscious and unconscious thinking, in order to tell a powerful story"--
Poetry Unbound
This inspiring collection, curated by the host of the Poetry Unbound, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig’s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn’t necessarily know how to do so. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.
