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An extraordinary series of murders and political assassinations has marked contemporary Italian history, from the killing of the king in 1900 to the assassination of former prime minister Aldo Moro in 1978. This book explores well-known and lesser-known assassinations and murders in their historical, political and cultural contexts.
In this new book Zygmunt Bauman and Riccardo Mazzeo examine the contentious issue of the relation between literature (and the arts in general) and sociology (or, more generally, a branch of the humanities claiming scientific status). While many commentators see literature and sociology as radically different vocations, Bauman and Mazzeo argue that they are bound together by a common purpose and a shared subject matter. Despite the many differences in terms of their methods and their ways of presenting their findings, novels and sociological texts are not at cross-purposes. Indeed, it is precisely their differences that make them at once indispensable to each other and mutually complementary....
No other European country experienced the disruption of political and everyday life suffered by Italy in the so-called 'years of lead' (1969-c.1983), when there were more than 12,000 incidents of terrorist violence. This experience affected all aspects of Italian cultural life, shaping political, judicial and everyday language as well as artistic representation of every kind. In this innovative and broad-ranging study, experts from the fields of philosophy, history, media, law, cinema, theatre and literary studies trace how the experience and legacies of terrorism have determined the form and content of Italian cultural production and shaped the country's way of thinking about such events?
"Terrific . . . Easily the most purely entertaining novel I have read so far this year" David Mills, The Sunday Times "A really excellent suspense novelist" Stephen King The second volume of Pierre Lemaitre's enthralling, award-winning between-the-wars trilogy In 1927, the great and the good of Paris gather at the funeral of the wealthy banker, Marcel Péricourt. His daughter, Madeleine, is poised to take over his financial empire (although, unfortunately, she knows next to nothing about banking). More unfortunately still, when Madeleine's seven-year-old son, Paul, tumbles from a second floor window of the Péricourt mansion on the day of his grandfather's funeral, and suffers life-changing ...
Visit Parma following the words of the writers. Petrarca, Stendhal, Proust, Casanova, Bevilacqua, Guareschi, Zavattini and many others. An anthology of quotes and ilterary itineraries
At a recent literary conference hosted by Villa Gillet and "Le Monde," organizers asked seventy-seven prominent authors from around the world to choose a word that opens the door to their work. Their crystalline musings, collected here for the first time, offer an extraordinary portrait of writing and reading from the perspective of the artist. Organized alphabetically, the anthology is a pleasurable and instructive book for writers, readers, and anyone seeking an intimate understanding of literature. Through these personal "passwords," authors articulate the function of language, character, plot, and structure, and, in the process, reveal their relationship with the elements of story. Jonat...
In questo testo vengono messi a confronto Jean-Paul Sartre e Luigi Pirandello. Oltre a misurare le loro rispettive posizioni su problematiche quali l’identità personale, l’alterità, la follia e l’etica, viene dimostrato come il filosofo francese sia stato influenzato dal nostro scrittore siciliano molto più di quanto rilevato fino ad ora dagli studiosi, concentrati in genere solo sugli elementi di matrice pirandelliana presenti nei drammi sartriani. Qui, invece, vengono portate alla luce numerose similitudini testuali che provano come anche la narrativa (in particolare il romanzo La nausea) e la saggistica di Sartre siano ricche di riferimenti alle opere di Pirandello, da considerarsi un vero esistenzialista ante litteram.