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My Documents
Archived in a folder on award-winning author Alejandro Zambra's desktop are 11 stories of liars and ghosts, armed bandits and young lovers. Intimate, mysterious, and uncanny, these stories reveal a mind that is as undeniably singular as it is universal. Together, they constitute the debut short-story collection from Zambra, whose first novel was heralded as a “bloodletting in Chilean literature.” Whether chronicling the return of a mercurial godson or the disappearance of a trusted cousin, the worlds of these stories are so powerful and deep that the works might better be described as brief novels. My Documents is by turns hilarious and heart-stopping, tragic and tender, but most of all, it is unflinchingly human and essential evidence of a sublimely talented writer working at the height of his powers.
Multiple Choice
A "brilliant, innovative, beautiful" (The Guardian) book from the acclaimed author of Chilean Poet "Dazzling . . . a work of parody, but also of poetry." —The New York Times Book Review NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR, THE GUARDIAN, AND THE IRISH TIMES “Latin America’s new literary star” (The New Yorker), Alejandro Zambra is celebrated around the world for his strikingly original, slyly funny, daringly unconventional fiction. Now, at the height of his powers, Zambra returns with his most audaciously brilliant book yet. Written in the form of a standardized test, Multiple Choice invites the reader to respond to virtuoso language exercises and short narrative passages th...
Ways of Going Home
A young boy plays hide and seek in the suburbs of Santiago, unaware that his neighbours are becoming entangled in the brutality of Pinochet's regime. Then one night a mysterious girl appears in his neighbourhood and makes a life-changing request.
The Private Lives of Trees
Worried that his wife Veronica will not return home from an art class, Julian imagines his stepdaughter Daniela's future without her mother and tells her an improvisional bedtime story.
Chilean Poet
Gonzalo is a frustrated would-be poet in a city full of poets; poets lurk in every bookshop, prop up every bar, ready to debate the merits of Teillier and Millan (but never Neruda - beyond the pale). Then, nine years after their bewildering breakup, Gonzalo reunites with his teen sweetheart, Carla, who is now, to his surprise, the mother of a young son, Vicente. Soon they form a happy sort-of family - a stepfamily, though no such word exists in their language. In time, fate and ambition pull the lovers apart, but when it comes to love and poetry, what will be Gonzalo's legacy to his not-quite-stepson Vicente? Zambra chronicles with tenderness and insight the everyday moments - absurd, painful, sexy, sweet, profound - that constitute family life in this bold and brilliant new novel.
Bonsai
“Sublime . . . true and beautiful and moving.” —The New York Times Book Review The landmark first novel of one of the greatest living Latin American writers—now in a sparkling new translation by his longtime collaborator When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. “It was said,” according to Chile’s newspaper of record, El Mercurio, “that it represented the end of an era, or the beginning of another, in the nation’s letters.” Zambra would go on to become a writer of international renown, winning prizes in Chile and around the world for his funny, tender, sly fictions. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.
Bonsai
"Winner of Chile’s Literary Critics’ Award for Best Novel" Hailed as a great Latin American literary event, this stylistically innovative, elliptically told tale of a young man and his love who mysteriously disappears is, as the narrator tells us, “a simple story that becomes complicated.” Through both the distance and closeness of these young lovers, Alejandro Zambra brilliantly explores the relationship between art, love, and life. Bonsai is accessible yet profound—as one critic in Chile’s Capital newspaper put it, “Brief as a sigh and forceful as a blow.”
Not to Read
Over the course of the chronicles and literary essays that make up this volume, Alejandro Zambra outlines his own particular theory of reading. Whether it is in the course of a carefully considered commentary on a specific book, or in the digressions born out of a piece on this or that author - from Parra, Levrero and Pavese to Millán, Ribeyro, Tanizaki or Bolaño, Natalia Ginzburg and Puig - the simple act of reading dominates these pages, within which the author alternates between forceful and good-humoured rants against clichés and impostures and intimist celebrations of true literary experiences. The book's title is an allusion to the moment when Zambra decided to stop writing a weekly...
Yesterday
In San Agustín de Tango, you can never be sure what's waiting around the corner. Over the course of a single day – the day before today – the hero of this novel and his adored wife embark on a journey through the absurd and the surreal, encountering a choir of monkeys and a carnivorous ostrich, travelling from the studio of an artist obsessed with the colour green to the waistcoat pocket of a pot-bellied man. All the while, the tolling of the bell in the city square pushes their whirlwind adventure towards its fateful conclusion... A brilliant and bizarre work from an overlooked great of 20th century Chilean literature, in English translation for the first time and with a new introduction by Alejandro Zambra.
