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Alejo Carpentier, the Pilgrim at Home
First published in 1977 (Cornell U.) and newly updated, Echevarria's (Spanish and comparative literature, Yale) critical study covers the life and work (and the life as revealed in the work) of the late, great Cuban novelist Alejo Carpentier. Annotation copyrighted by Book News, Inc., Portland, OR
Alejo Carpentier and the Musical Text
Widely known for his novelsEl reino de este mundo (The Kingdom of this World) and Los pasos perdidos (The Lost Steps), the Swiss-born Cuban writer Alejo Carpentier (1904-1980) incorporated music in his fiction extensively, for instance in titles, in analogies with musical forms, in scenes depicting performances, recordings and broadcasts, and in characters' discussions of musical issues. Chornik's study focuses on Carpentier's writings from a musicological perspective, bridging intermediality and intertextuality through an examination of music as formative, as form, and as performed. The emphasis lies on the novelsLos pasos perdidos, El acoso (The Chase),Concierto barroco (Baroque Concerto) andLa consagracion de la primavera (The Rite of Spring), and on his unknown essayLos origenes de la musica y la musica primitiva (The Origins of Music and Primitive Music), the repository of ideas forLos pasos perdidos, included here for the first time as facsimile and in English translation. Chornik's study will appeal to scholars and students in literary studies, cultural studies, musicology and ethnomusicology, and to a specifically interdisciplinary readership.
Music in Cuba
"In the wake of the Buena Vista Social Club, the world has rediscovered the rich musical tradition of Cuba. A unique combination of popular and elite influences, the music of this island nation has fascinated since the golden age of the son - that new World aural collision of Africa and Europe that made Cuban music the rage in Paris, New York, and Mexico beginning in the 1920s." "Drawing on such primary documents as obscure church circulars, dog-eared musical scores pulled from attics, and the records of the Spanish colonial authorities, Music in Cuba sweeps from the sixteenth to the twentieth centuries. Carpentier covers European-style elite Cuban music as well as the popular worlds of rural Spanish folk and Afro-Cuban urban music."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Alejo Carpentier
Alejo Carpentier was one of the greatest Latin American novelists of the twentieth century, as well as a musicologist, journalist, cultural promoter, and diplomat. His fictional world issues from an encyclopedic knowledge of the history, art, music, and literature of Latin America and Europe. Carpentier’s novels and stories are the enabling discourse of today’s Latin American narrative, and his interpretation of Latin American history has been among the most influential. Carpentier was the first to provide a comprehensive view of Caribbean history that centered on the contribution of Africans, above and beyond the differences created by European cultures and languages. Alejo Carpentier: ...
Carpentier's Proustian Fiction
Critical study of Cuban novelist and Proust's influence on selected works.
