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Set and Costume Designs for Ballet and Theatre
This book is a descriptive catalogue of Baron Thyssen-Bornemisza's collection of fifty-six drawings, largely set and costume designs, reflecting the theatre of the first half of the twentieth century. 22 of the drawings are by Leon Bakst, whose revolutionary designs for Diaghilev's Ballets Russes played such a major part in that company's impact.
Theatre Across Oceans
Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book.
Memoirs of the Empress Catherine II.
Reproduction of the original: Memoirs of the Empress Catherine II. by Empress of Russia Catherine II
Directing the Decades
Directing the Decades is an examination of the development of theatre in the UK since the revolution of the 1950s until the present day, viewed through the individual progress of a female director from a working-class background. In this book, theatre history and lessons on directing are interwoven: the history is presented decade by decade, examining particular productions. Each historical theatre chapter is followed by a method chapter examining directorial influences and techniques predominant in each decade, as well as examining the working experience of the author in that decade. The book also includes practical advice on the directing process, including exercises, plans for rehearsals,...
The Russian Jewish Diaspora and European Culture, 1917-1937
The Jewish emigration from Russia after the Revolution of 1917 changed the face of Jewish culture in Western Europe. Russian Jews brought with them the visions of a national Jewish literature in Hebrew, Yiddish or Russian, and new concepts of secular Jewish music and art. Often they acted as intermediaries between Jewish centres in Europe, which resulted in the creation of a single sphere of Jewish culture common to all parts of the European diaspora. Although some stayed in Western Europe for only a few years before moving on to Palestine, the budding Hebrew culture in Palestine would not have been the same without this relatively short period of intense contact between Russian Jewish and Western European cultures.
Chagall
“When Matisse dies,” Pablo Picasso remarked in the 1950s, “Chagall will be the only painter left who understands what color really is.” As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known and most-loved paintings of our time. Yet behind this triumph lay struggle, heartbreak, bitterness, frustration, lost love, exile—and above all the miracle of survival. Born into near poverty in Russia in 1887, the son of a Jewish herring merchant, Chagall fled the repressive “potato-colored” tsarist empire in 1911 for Paris. There he worked alo...
Modern Art and the Remaking of Human Disposition
Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune.
