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Royal Power and Authority in Shakespeare’s Late Tragedies
William Shakespeare explores political survival as a question of interaction at court in King Lear, Macbeth, and Antony and Cleopatra. Through a discussion of authority as an element that is distinct from power, this book offers a new perspective on the importance of acts of persuasion and the contribution the late tragedies make to Shakespeare’s portrayal of monarchy. It argues that the most productive uses of the material power to judge or reward are those that reinforce royal authority and establish the monarch at the centre of the web of noble relationships. In the late tragedies, rulership is exercised at court. It acquires a nature of its own as the interaction of powerful and potent...
Magical Transformations on the Early Modern English Stage
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less can...
Authority of Expression in Early Modern England
Authority of Expression in Early Modern England brings together an international group of scholars writing on the relationships between authority and the self in early modern English literature, discussing writers such as Edmund Spenser, William Shakespeare, John Donne, Ben Jonson, Thomas Middleton and Andrew Marvell. The early modern period was a time of momentous religious, political and cultural change, with scientific and geographical exploration opening new horizons, challenging established truths, and unsettling the concepts and practices of authority. In this book, scholars approach the texts from a literary, historical and/or linguistic point of view, thus providing multiple perspectives on the topic. Themes explored include the links between sense perception and cognition in the establishment of authority; the ways that sexuality, gender relations and language are implicated in expressing and responding to authority; and conceptions of the self and the strategies that individuals adopt to cope with changes in their frameworks of authority and power. This wide-ranging collection offers new perspectives on how authority was negotiated in the English Renaissance.
Attention! Roma on the Road
Kirja on osa romani-trilogiaa. Tämä ensimmäinen osa (ilmestyi suomeksi 2012) käsittelee Itä-Euroopan romanien tuloa Suomeen ja tutkii EU:n vapaan liikkuvuuden direktiivin ja ihmisoikeuksien toteutumista romanien lähtö- ja tulomaissa. Romanipolitiikan vaikutuksia arvioidaan kansainvälisen ja kansallisen politiikan tasolla sekä suhteessa katutyötä tekevien romanien arkielämään ja maahanmuuton vaikuttimiin. Toinen osa (2020) keskittyy helsinkiläiseen solidaariseen aktivismiin; kolmas osa tulee antamaan äänen muuttajille itselleen. The book is part of the Roma Trilogy. This first volume (published in Finnish in 2012) considers the arrival of Eastern European Roma in Finland and examines the realisation of the EU’s free movement directive and human rights in countries of departure and arrival. The effects of Roma policies are evaluated on the level of international and national policies, as well as in relation to the everyday lives of Roma street workers and the motives behind migration. The second volume (2020) focuses on solidarity activism in Helsinki; the third volume will give voice to the migrants themselves.
Mobilising for Mobile Roma
The book focuses on civil society: established institutions and forums, radical groups, NGOs, and self-organised individuals who are promoting inclusion and welfare of Eastern European Roma in the name of shared ethnic identities, religious closeness, and universal human rights in Greater Helsinki, Finland. Special attention is directed to methodological issues regarding the research for/with/by Roma.
Patrick White and God
The novels of Australia’s Nobel Laureate Patrick White (1912–1990) are a persistent commentary on Nietzsche’s proclamation of God’s death. As White knew the proclamation was not about God’s existence, but about classical views of God, it presented him with the impossible task of using language to describe what language cannot describe. This has always been one of the more misunderstood aspects of his literary vision. Because the announcement is often interpreted in antithetical ways, atheistic, theistic, secular, religious, humanistic and fatalistic, critics should gain a better understanding of what White was trying to achieve by comparing him with his post-war contemporaries from...
Representing Abortion
Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person, challenging the polarisation of conversations about abortion. This book illuminates the manifold ways that abortion is depicted and narrated by artists, performers, clinicians, writers, and activists. This representational work offers nuanced and complex understandings of abortion, personally and politically. Analyses of such representations are urgently needed as access to abortion is diminished and anti-abortion representations of the fetus continue to domin...
Murdering Ministers
"Murdering Ministers" integrates everything worth knowing about Shakespeare’s "Macbeth" from four centuries of criticism and performances, stage as well as film, in a scene-by-scene close reading that provides the reader with an exhaustive knowledge of the play and answers questions that have captivated us for centuries. Did Burbage, the first Macbeth, enter on horseback? When does the idea of regicide first occur to the Macbeths? Why does Macbeth withhold part of the witches’ prophecy from his wife? Is Banquo honest? Did Shakespeare believe in witchcraft? Why is the play cursed? What has happened to the baby that Lady Macbeth has given suck? Answers to this and much more come from actor...
Shakespeare and Queer Representation
In this engaging and accessible guidebook, Stephen Guy-Bray uses queer theory to argue that in many of Shakespeare’s works representation itself becomes queer. Shakespeare often uses representation, not just as a lens through which to tell a story, but as a textual tool in itself. Shakespeare and Queer Representation includes a thorough introduction that discusses how we can define queer representation, with each chapter developing these theories to examine works that span the entire career of Shakespeare, including his sonnets, Venus and Adonis, The Rape of Lucrece, King John, Macbeth, and Cymbeline. The book highlights the extent to which Shakespeare’s works can be seen to anticipate, and even to extend, many of the insights of the latest developments in queer theory. This thought-provoking and evocative book is an essential guide for students studying Shakespeare and Renaissance literature, gender studies, and queer literary theory.
The Genres of Renaissance Tragedy
These twelve new essays show the variety and versatility of Renaissance tragedy and highlight the issues it explores. Each chapter defines a particular kind of Renaissance tragedy and offers new research on a particularly striking example. Collectively the essays offer a critical overview of Renaissance tragedy as a genre.
