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The Legal Epic
The seventeenth century saw some of the most important jurisprudential changes in England’s history, yet the period has been largely overlooked in the rich field of literature and law. Helping to fill this gap, The Legal Epic is the first book to situate the great poet and polemicist John Milton at the center of late seventeenth-century legal history. Alison A. Chapman argues that Milton’s Paradise Lost sits at the apex of the early modern period’s long fascination with law and judicial processes. Milton’s world saw law and religion as linked disciplines and thought therefore that in different ways, both law and religion should reflect the will of God. Throughout Paradise Lost, Milton invites his readers to judge actions using not only reason and conscience but also core principles of early modern jurisprudence. Law thus informs Milton’s attempt to “justify the ways of God to men” and points readers toward the types of legal justice that should prevail on earth. Adding to the growing interest in the cultural history of law, The Legal Epic shows that England’s preeminent epic poem is also a sustained reflection on the role law plays in human society.
Victorian Poetry and Modern Life
Faced with the chaos and banality of modern, everyday life, a number of Victorian poets sought innovative ways of writing about the unpoetic present in their verse. Their varied efforts are recognisably akin, not least in their development of mixed verse-forms that fused novel and epic to create something equal to the miscellaneousness of the age.
Singing from the Floor
In smoky rooms above pubs, bare rooms with battered stools and beer-stained tables, where the stage was little more than a scrap of carpet and sound systems were unheard of, an acoustic revolution took place in Britain in the 1950s and '60s. This was the folk revival, where a generation of musicians, among much drink and raucous cheer, would rediscover the native songs of their own tradition, as well as the folk and blues coming from across the Atlantic by artists such as Leadbelly, Woody Guthrie and Big Bill Broonzy. Singing from the Floor is the story of this remarkable movement, faithfully captured in the voices of those who formed it by JP Bean. We hear from luminaries such as Shirley Co...
Performing National Identity
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances'ranging from the scenarios of everyday interactions to `cultural performances? such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media'that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but som...
The Political Poetess
The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"—one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget th...
Unfolding the South
A radically new version of Anglo-Italian cultural relations in the late Romantic and Victorian periods that corrects traditional male-centred accounts.
Courts, Jurisdictions, and Law in John Milton and His Contemporaries
"John Milton is well known as the poet of liberty and freedom. But his commitment to justice, which runs throughout his prose works, great and small, is often opaque to us when glimpsed at distance in the twenty-first century. Alison A. Chapman aims to provide literary scholars with a working knowledge of the multiple, jostling, real-world legal systems in conflict in seventeenth-century England, and to help us distinguish among Milton's use of the various legal systems and vocabularies of the time--natural versus positive law, for example, and the differences among canon, civil, and common jurisprudence, whichever system best suited Milton's purpose. Surveying the early and divorce tracts, late political tracts, and major prose works in comparison with the writings and cases of some of Milton's contemporaries (including George Herbert, John March, Ben Jonson, and John Bunyan), Chapman alerts us to the variety and nuance in Milton's juridical tool-kit and his subtle use of competing legal traditions in pursuit of justice"--
Evidential Reasoning in Archaeology
How do archaeologists work with the data they identify as a record of the cultural past? How are these data collected and construed as evidence? What is the impact on archaeological practice of new techniques of data recovery and analysis, especially those imported from the sciences? To answer these questions, the authors identify close-to-the-ground principles of best practice based on an analysis of examples of evidential reasoning in archaeology that are widely regarded as successful, contested, or instructive failures. They look at how archaeologists put old evidence to work in pursuit of new interpretations, how they construct provisional foundations for inquiry as they go, and how they navigate the multidisciplinary ties that make archaeology a productive intellectual trading zone. This case-based approach is predicated on a conviction that archaeological practice is a repository of considerable methodological wisdom, embodied in tacit norms and skilled expertise – wisdom that is rarely made explicit except when contested, and is often obscured when questions about the status and reach of archaeological evidence figure in high-profile crisis debates.
Religious Imaginaries
Explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics. This new study rethinks several assumptions in the field: that Victorian women’s faith commitments tended to limit creativity; that the contours of church experiences matter little for understanding religious poetry; and that gender is more significant than liturgy in shaping women’s religious poetry. Exploring the import of bodily experience for spiritual, emotional, and cognitive forms of knowing, Karen Dieleman explains and clarifies the deep orientations of different strands of n...
The Routledge Companion to Victorian Literature
The Routledge Companion to Victorian Literature offers 45 chapters by leading international scholars working with the most dynamic and influential political, cultural, and theoretical issues addressing Victorian literature today. Scholars and students will find this collection both useful and inspiring. Rigorously engaged with current scholarship that is both historically sensitive and theoretically informed, the Routledge Companion places the genres of the novel, poetry, and drama and issues of gender, social class, and race in conversation with subjects like ecology, colonialism, the Gothic, digital humanities, sexualities, disability, material culture, and animal studies. This guide is ai...
