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The Improvement of the Estate
Originally published in 1994. In The Improvement of the Estate, Alistair Duckworth contends that understanding Mansfield Park is fundamental to appreciating Jane Austen's body of work. Professor Duckworth understands Mansfield Park as underscoring the central uniting theme in Austen's work—her concept of the "estate" and its "improvement." The author illustrates Austen's connection to the values of Christian humanism, which she conveys through the uniting theme of estate improvement. According to Duckworth, the estate represents moral and social heritage, so the manner in which individuals seek to improve their estates in Jane Austen's novels represents the direction in which she saw the state and society moving. Finally, Duckworth underscores Austen's awareness of the importance of a society of individuals whose behavior is socially informed.
Jane Austen's Emma
This sourcebook introduces not only Jane Austen's text, but also the literary and historical contexts and the many different critical readings that it has generated, from the time of its publication to the twenty-first century.
The Pristine Culture of Capitalism
Capitalism was born in England, yet the dominant Western conceptions of modernity have come from elsewhere, notably from France, the historical model of “bourgeois” society. In this lively and wide-ranging book, Ellen Meiksins Wood argues that what is supposed to have epitomized bourgeois modernity, especially the emergence of a “modern” state and political culture in Continental Europe, signalled the persistence of precapitalist social property relations. Conversely, the absence of a “modern” state and political discourse in England testified to the presence of a well-developed capitalism. The fundamental flaws in the British economy are not just the symptoms of arrested develop...
The Philosophy of Ang Lee
Ang Lee (b. 1954) has emerged as one of cinema's most versatile, critically acclaimed, and popular directors. Known for his ability to transcend cultural and stylistic boundaries, Lee has built a diverse oeuvre that includes films about culture clashes and globalization (Eat Drink Man Woman, 1994, and The Wedding Banquet, 1993), a period drama (Sense and Sensibility, 1995), a martial arts epic (Crouching Tiger, Hidden Dragon, 2000), a comic book action movie (Hulk, 2003), and an American western (Brokeback Mountain, 2005). The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director's works. The first section focuses on Taoist, Confucian, and...
Jane Austen and Narrative Authority
In Jane Austen and Narrative Authority, Tara Ghoshal Wallace argues that far from embodying ideological and technical serenity, Austen's novels articulate a range of anxieties about authorship and authority. The novels experiment in different ways with possible sources and the ultimate failures of authority, always returning to the compromised figure of the narrator. Wallace suggests that Austen's novelistic output can be read as a theory of interpretation, thematizing problems of narrative authority and readers' resistance.
Mansfield Park
In all things, Jane Austen was a lady of faith. Perhaps nowhere is this more apparent than in Mansfield Park, her most neglected, abused, and misunderstood novel. Like Austen's other novels, it can only be fully appreciated when illuminated by the virtuous life and Christian beliefs of the author herself. Mansfield Park is a novel about ordination, and about the family, that delves into questions of the education and upbringing of children, of conservative values, of parental authority, of the propriety and place of romantic love, of the tension between propriety and sophistication, and of the dangers of undue familiarity outside the family circle. It unerringly displays the depth of Austen's wisdom, especially in her understanding of the spiritual, psychological, and cultural complexities of morality. As well as the full text of one of the richest and most intricately woven novels in the English language, this new critical edition contains many insightful critical essays by today's leading Austen experts. Book jacket.
Better Left Unsaid
Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.
Jane Austen's Pride and Prejudice
This guide takes the form of a sourcebook, combining reprinted contextual and critical documents with extensive introductory comment and annotation by the volume editor.
Defoe's Tour and Early Modern Britain
This first comprehensive account of Daniel Defoe's Tour thro' the Whole Island of Great Britain explores the content, sources, form, and historical significance of one of the foremost books written about Britain during the eighteenth century. Pat Rogers' study offers fresh interdisciplinary insight for both new readers and Defoe students.
The Architecture of Space-Time in the Novels of Jane Austen
This book argues that there are recurrent spatiotemporal patterns and structures in six Jane Austen novels which constitute a source of enduring, if unconscious, pleasure. More precisely, the book contends that there are overlapping natural and cultural cycles which co-exist in a constantly transmuting space-time and which are counterpointed with the linearity of pivotal events that drive the plot forwards. This work examines the psychological relations to these space-time patterns of the characters, principally the heroines, focusing on the transformations of their emotional states which prompt linear leaps.
