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Good Girls & Wicked Witches
An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters
Discussing Disney
These scholarly essays examine Disney’s cultural impact from various perspectives—including film studies, history, musicology, gender and more. The academic field of Disney Studies has evolved greatly over the years, as the twelve essays collected in this volume demonstrate. With a diversity of perspectives and concerns, the contributors examine the cultural significance and impact of the Disney Company’s various outputs, such as animated shorts and films, theme park attractions, television shows, books, music, and merchandising. By looking at Disney from some of its many angles—including the history and the persona of its founder, a selection of its successful and not-so-successful films, its approaches to animation, its branding and fandom, and its reception and reinterpreted within popular culture—Discussing Disney offers a more holistic understanding of a company that has been, and continues to be, one of the most important forces in contemporary culture.
Handsome Heroes & Vile Villains
From dwarves to princes, heroes to heartbreakers, the Disney treatment of male characters in the studio’s animated features. One of PopSugar’s Best Books for Women (2013) From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film’s release. “Within her idealism and love for the House of the Mouse, it seems Davis is on to something. Whether idealistic or delusional, the Disney she talks about seems to be a thing that’s waiting just around the corner.” —PopMatters
Fantasy/Animation
This book examines the relationship that exists between fantasy cinema and the medium of animation. Animation has played a key role in defining our collective expectations and experiences of fantasy cinema, just as fantasy storytelling has often served as inspiration for our most popular animated film and television. Bringing together contributions from world-renowned film and media scholars, Fantasy/Animation considers the various historical, theoretical, and cultural ramifications of the animated fantasy film. This collection provides a range of chapters on subjects including Disney, Pixar, and Studio Ghibli, filmmakers such as Ralph Bakshi and James Cameron, and on film and television franchises such as Dreamworks’ How To Train Your Dragon (2010–) and HBO’s Game of Thrones (2011–).
Flickering Treasures
These vintage and contemporary images of Baltimore movie palaces explore the changing face of Charm City with stories and commentary by filmmakers. Since the dawn of popular cinema, Baltimore has been home to hundreds of movie theaters, many of which became legendary monuments to popular culture. But by 2016, the number of cinemas had dwindled to only three. Many theaters have been boarded up, burned out, or repurposed. In this volume, Baltimore Sun photojournalist Amy Davis pairs vintage black-and-white images of downtown movie palaces and modest neighborhood theaters with her own contemporary color photos. Flickering Treasures delves into Baltimore’s cultural and cinematic history, from ...
Dreamscapes in Italian Cinema
Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others). Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example). The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.
The Book of Womanhood
There are many questions that surround Christian womanhood: What does it mean? When does it happen; at a certain age, status, or maturity? How do we know we're no longer girls? And when we've figured that out, how will others know how to recognise us as a woman rather than a girl? After all, Christian women don't usually get a rite of passage in which they are named a woman. Seeing this need, Amy Davis Abdallah has created such a rite, and this book accompanies it; there is no need to go through her rite of passage, however, to name yourself a woman. The Book of Womanhood creates a path through the confusion that surrounds the identity of women by its flexible framework, developing the reade...
They'll Believe Me when I'm Gone
Max daydreams about aliens coming to rescue him from his brother Gordon.
With Daring Faith
In 1903 Amy Carmichael's book Things as They Are shocked many Englishmen and Americans into taking a close look at India. Unafraid of public criticism, Amy Carmichael had revealed to the Western world the spiritual bondage of India as well as the suffering of thousands under the supposedly "benign" religion of Hinduism. She raised a plea for the little children who were being sold into lives of shame as slaves in Hindu temples.
Darcy Bites
In a world where the existence of vampires is a truth universally acknowledged, most would be surprised to learn they had ever invited one to tea. Elizabeth Bennet is no damsel in distress. Mr. Darcy cannot help but admire her fighting skills and lively mind but he struggles against his attraction to her as he struggles against his own nature. Elizabeth finds Mr. Darcy to be proud and disagreeable and, while she does not wish to be ungrateful for his having saved her life, she finds it most inconvenient to be indebted to him. Elizabeth never suspects that there is a reason Mr. Darcy is such a gifted vampire slayer. When the truth is revealed, they find they each have a lot to learn about each other and themselves. Note: Errors have been corrected in the second printing.
