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An astonishing collection of over 700 original scans of printed ephemera and memorabilia from the prime years of the punk and post-punk movements. Since finding punk in the summer of 1976, Andrew Krivine has amassed one of the world's largest collections of punk graphic design and memorabilia, with part of his collection exhibiting at the Cranbrook Art Museum in Michigan, before moving to the New York Museum of Arts and Design, and many other such spaces around the world in 2020 and 2021. This book represents the cream of that collection--over 700 original scans of posters, flyers, covers, and ads from the prime years of the movement, which changed the world of graphic design forever. Too Fa...
Too Fast to Live, Too Young to Die is the definitive visual record of punk and post-punk graphic design; its seven hundred-odd pages are packed with more than 1,500 compelling images of the era. Readers will see much more than Xeroxed proclamations and ransom-style layouts: designers embraced diverse influences, dynamic images, and typographies with gusto and humor, and elements of Futurism, German Expressionism, Soviet-era posters, Pop Art and the Bauhaus movement are reflected in these pieces. The images in this book, sourced exclusively from the editor's collection, are introduced by renowned graphic design author and editor Steven Heller, and contextualized by an essay by British rock journalist Peter Silverton (Filthy English, I Was a Teenage Sex Pistol).
Acme Attractions tells the story of a place, and its people, that found themselves at the heart of one of the country's great cultural moments. While living and working through a now-legendary period of the capital's history, Don Letts and Jeannette Lee found themselves simultaneously experiencing the pleasures and pitfalls of youth while witnessing the birth and heady, early excitement of punk. Their story, told here through a conversation that is warm, intelligent and compelling, touches on the revolutionary feelings of that time, as fashion, politics, music and art were all re-made in real time and, as we now know, things would never be the same again.
Foreword -- Introduction -- Barney Bubbles -- Peter Saville -- Jamie Reid -- Fanzines -- Arturo Vega -- Acknowlegments -- Catalogue checklist.
Iconic and never-before-seen images of punk and post-punk’s quintessential bands In the late 70s, punk rock music began to evolve into the post-punk and new wave movements that dominated until the early 90s. During this time, prolific photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York, and getting shots on- and backstage with bands such as The Cramps, Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others. Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. Punk, Post Punk, New...
FROM THE INTERNATIONAL BESTSELLER OF THE GODFATHER A STORY OF BIG-TIME GAMBLERS IN A FEVERISH WORLD WHERE LAW AND ORGANISED CRIME ARE ONE AND THE SAME... From New York to Las Vegas, Merlyn and his brother Artie obey their own code of honour in the ferment of contemporary America - a world of greed, lust, violence and betrayal, where the power of corruption and the corruption of power are nowhere better explored.
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb,is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.
Examines the impact of punk on fashion, focusing on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture.
Most of these tales are drawn from real life or are things I have heard about in the dark corners of various backstage dressing rooms. It's hard to be a musician, but for some of us there is simply no choice. Meanwhile, there's writing about it.
Launched in 1976, Punk magazine announced an exploding youth movement, a new direction in American counterculture. Punk was to magazines what the stage at CBGB was to music: the gritty, live-wired, throbbing center of the punk universe. Despite its low-rent origins, the mag was an overnight success in the underground music scene, selling out every print run across the US and UK. Every musician who appeared on the cover of Punk became an icon of the era. But Punk not only championed music, it became a launching pad for writers, artists, cartoonists, and graphic designers. And the wacky, sardonic, slapstick vibe of the magazine resonated with an international army of music fanatics who were re...