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A novel about an advertising executive framed for murder! When, Joe Fox, a former stockbroker, discovers his second wife the world famous model, Talisa, has been unfaithful to him, the thirty-five year old millionaire divorces her, sells his charter sailing business in Jamaica and buys a small lucrative advertising agency in South Florida. One of the employees at the agency is his former father-in-law, Nelson Baker, from Joe's first marriage, who despises his ex son-in-law for dumping his little girl. With the agency's accountant, Erin Palmer, who is also his mistress, the pair concocts an elaborate plot to frame their boss for the murder of his secretary, enabling them to gain control of the agency.
Raised in an orphanage, Joan Walker becomes a social outcast who discovers murder is a convenient solution and sweet revenge whenever anyone opposes her. When she learns Adam Sard, the man she loves is going to be married, Olga Johnson, a.k.a. Joan Walker, who has been sentenced to death by lethal injection for first degree murder, escapes from death row to prevent the marriage from taking place. Using aliases and disguises, she manages to elude the authorities. Jade Armstrong Otis is an investigative reporter for a Washington, D.C. newspaper. She is searching for the murderer of her grandmother whose death took place years ago in a Boston City hospital where Olga was employed. The trail leads her to the gambling Mecca of Las Vegas and Adam Sard.
This timely collection brings together critical, analytic, historical, and practical studies to address what ethics means in the practice of design. Designers face the same challenges as everyone else in the complex conditions of contemporary cultural life-choices about consumption, waste, exploitation, ecological damage, and political problems built into the supply chains on which the global systems of inequity currently balance precariously. But designers face the additional dilemma that their paid work is often entangled with promoting the same systems such critical approaches seek to redress: how to reconcile this contradiction, among others, in seeking to chart an ethical course of acti...
'Electrifying . . . This four-hour epic of ambition and power is a sinewy reworking of Aeschylus that explodes into a cacophonous climax.' GUARDIAN ***** Aeschylus' Oresteia opens with Agamemnon sacrificing his daughter to the gods; an act which sets in motion a bloody cycle of revenge and counter-revenge. When he in turn is killed at the hands of his wife Clytemnestra, their son Orestes takes up the mantle of avenging his father, continuing the bloodshed until peace is ultimately found in the rule of law. Zinnie Harris reimagines this ancient drama, using a contemporary sensibility to rework the stories, placing the women in the centre. Orestes' leading role is replaced by his sister Electra, who as a young child witnesses her father's murder and is compelled to take justice into her own hands until she too must flee the Furies. Winner: Best New Play, Critics' Awards for Theatre in Scotland This Restless House premiered at the Citizens Theatre, Glasgow, in April 2016 in a co-production with the National Theatre of Scotland.