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Unfortunately people and tribes degenerate. They lose their teeth, forget their language, until finally they're bending meekly on the fields and cutting straw with a scythe. Leemut, a young boy growing up in the forest, is content living with his hunter-gatherer family. But when incomprehensible outsiders arrive aboard ships and settle nearby, with an intriguing new religion, the forest begins to empty - people are moving to the village and breaking their backs tilling fields to make bread. Meanwhile, Leemut and the last forest-dwelling humans refuse to adapt: with bare-bottomed primates and their love of ancient traditions, promiscuous bears, and a single giant louse, they live in shacks, keep wolves, and speak to snakes. Told with moving and satirical prose, The Man Who Spoke Snakish is a fiercely imaginative allegory about a boy, and a nation, standing on the brink of dramatic change.
One summer, when both his parents are away for work, Oskar is sent to the countryside to live with his grandma. A dreary prospect turns into disaster when Oskar realises he left his mobile phone back at home. What will he do all summer now? Lonely and bored, Oskar crafts a phone out of a block of wood he finds in the shed and uses it to pretend to call things. To his surprise, the things reply! He speaks to a tough-talking iron, a poetising bin, a bloodthirsty wardrobe, a red balloon that gets tangled in the crown of a birch tree, and many more. Oskar finds himself in high demand, helping the things solve their problems and achieve their dreams. Oskar and the Things is a charming book about the power of the imagination and friendship, by Estonia's leading children's writer, Andrus Kivirähk. With a lively translation by Adam Cullen, and the original illustrations by Anne Pikkov, it is the perfect gift for an introverted child with a rich inner life.
This volume addresses the prominent, and in many ways highly similar, role that historical fiction has played in the formation of the two neighbouring 'young nations', Finland and Estonia. It gives a multi-sided overview of the function of the historical novel during different periods of Finnish and Estonian history from the 1800s until the present day, and it provides detailed close-readings of selected authors and literary trends in their social, political and cultural contexts. This book addresses nineteenth-century 'fictional foundations', historical fiction of the new nation states in the interwar period as well as post-Second World War Soviet Estonian novels and modern historiographic metafiction.
The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from magisterial round-ups by leading critics in Europe (Peter Hepple of The Stage) and North America (Jim O'Quinn of American Theatre) to what are sometimes literally war-torn countries such as Iran or Sierra Leone.
Located within the forgotten half of Europe, historically trapped between Germany and Russia, Estonia has been profoundly shaped by the violent conflicts and shifting political fortunes of the last century. This innovative study traces the tangled interaction of Estonian historical memory and national identity in a sweeping analysis extending from the Great War to the present day. At its heart is the enduring anguish of World War Two and the subsequent half-century of Soviet rule. Shadowlands tells this story by foregrounding the experiences of the country’s intellectuals, who were instrumental in sustaining Estonian historical memory, but who until fairly recently could not openly grapple with their nation’s complex, difficult past.
This collection of essays aims to recapitulate the state of grotesque poetics in modern and post-modern writing. It concentrates on Central and Eastern Europe, introducing the Western reader to the variety and ingenuity of this region’s literary traditions, ranging from German and Russian to Lithuanian and Romanian literatures. At the same time, it seeks to highlight the importance of the grotesque mode of writing in the region. It includes new insights and interpretations of theories on grotesque and Menippean satire including (but not limited to) the works of Mikhail Bakhtin. The historic scope of the volume ranges from the legacies of Nazi dictatorship and exile to the post-communist ti...
'An insightful, nuanced account that highlights the present multitude of currents at play in Europe' - Peter Pomerantsev The Baltics are vital democracies in North-Eastern Europe, but with a belligerent Vladimir Putin to their east – plotting his war on Ukraine – and 'expansionist' NATO to their west, these NATO members have increasingly been the subject of unsettling headlines in both Western and Russian media. But beyond the headlines, what is daily existence like in the Baltics, and what does the security of these frontline nations mean for the world? Based on her extensive research and work as a journalist, Aliide Naylor takes us inside the geopolitics of the region. Travelling to the heart of Estonia, Latvia and Lithuania she explores modernity in the region, investigates smuggling and troop movements in the borderlands, and explains the countries' unique cultural identities. Naylor tells us why the Baltics have been vital to the political struggle between East and West, and how they play a critical role in understanding the long running tensions between Russia and Europe.
Recently, we have witnessed a rearticulation of the traditional relationship between the past, present and future, broadening historiography's range from studying past events to their later impact and meaning. The volume proposes to look at the perspectives of this approach called mnemohistory, and argues for a redefinition of the term 'event'.
What does it mean to tell a life story? How is one’s memory of communism shaped by family, profession, generation and religion? Do post-communist Baltic states embrace similar memories? The Baltic states represent not only a geographical but also a mnemonic region. The mental maps of people who live on this territory are shaped by memories of Soviet socialism. Baltic Socialism Remembered captures the workings of the memory of diverse groups of people who inhabit the region: teachers, officials, young people, women, believers. It comes as no surprise that their memories do not overlap, but often contradict to other groups and to official narratives. Baltic Socialism Remembered is a rare attempt to engage with the mnemonic worlds of social groups and individuals rather than with memory politics and monumental history. The contributors try to chart unpredictable ways in which public and national memory affect individual memory, and vice versa. Understanding complexity and diversity of memory workings in such compact region as the Baltic states will enable a more nuanced policy-making. This book was originally published as a special issue of Journal of Baltic Studies.
The poem Kalevipoeg, over 19,000 lines in length, was composed by Friedrich Reinhold Kreutzwald (1803–1882) on the basis on folklore material. It was published in an Estonian-German bilingual edition in six instalments between 1857 and 1861; it went on to become the Estonian national epic. This first English-language monograph on the Kalevipoeg sheds light on various aspects of the emergence, creation and reception of the text. The first chapter sketches the objectives of the book and gives a short summary of the contents of the twenty tales of the epic, while the second chapter treats the significance of the epic against the cultural background of nineteenth-century Estonia. The third cha...