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The award-winning poet reinvents a genre in a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of ...
'Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit Hub H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. "I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.
Presents a facsimilie of a book the author created after the death of her brother, and includes poetry, family photographs, letters, and sketches that deal with coming to terms with the loss.
The poetry and prose collected in Plainwater are a testament to the extraordinary imagination of Anne Carson, a writer described by Michael Ondaatje as "the most exciting poet writing in English today." Succinct and astonishingly beautiful, these pieces stretch the boundaries of language and literary form, while juxtaposing classical and modern traditions. Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.
Internationally celebrated poet Anne Carson's critically acclaimed follow-up to her highly successful Autobiography of Red, which takes its mythic boy-hero into the twenty-first century to tell a story all its own of love, loss, and the power of memory. For Carson's substantial following and general poetry readers. To live past the end of your myth is a perilous thing. In this stunningly original mix of poetry, drama, and narrative, Anne Carson brings the red-winged Geryon from Autobiography of Red, now called "G," into manhood, and through the complex labyrinths of the modern age. We join him as he travels with his friend and lover Sad (short for "Sad But Great"), a haunted war veteran; and with Ida, an artist, across a geography that ranges from plains of glacial ice to idyllic green pastures; from a psychiatric clinic to the somber housewhere G's mother must face her death. Haunted by Proust, juxtaposing the hunger for flight with the longing for family and home, this deeply powerful verse picaresque invites readers on an extraordinary journey of intellect, imagination, and soul.
From the renowned classicist and MacArthur Prize winner: a brilliant new collection that explores myth and memory, beauty and loss, all the while playing with--and pushing--the limits of language and form. Anne Carson continuously dazzles us with her inventiveness and the way her work changes our perspectives. With Float, she surpasses her own bar. In individual chapbooks that can be read in any order, she conjures a mix of voices, time periods, and structures to explore what makes people, memories, and stories "maddeningly attractive" when observed in liminal space. One can begin with Carson puzzling through Proust on a frozen Icelandic plain; in the art-saturated enclaves of downtown New Y...
Poetry. Deluxe redesign of the two-time Griffin Award winner's first poetry collection. On the occasion of the press's 40th anniversary, Brick Books is proud to present the first of six new editions of classic books from our back catalogue. New material includes a foreword by the poet Margaret Christakos, a "Short Talk on Afterwords" by Carson herself, and cover art and design by the renowned typographer Robert Bringhurst. First issued in 1992, SHORT TALKS is Carson's first and only collection of poems published with an independent Canadian press. It announced the arrival of a profound, elegiac and biting new voice. SHORT TALKS can comfortably stand alongside Carson's other bestselling and award-winning works. The renowned ancient Greek scholar's first book beautifully reprinted on amazing paper, with an extra "short talk" on afterwords functioning as the afterword. Sometimes humorous, other times eerie, these prose-poems range in topic from waterproofing to Gertrude Stein at 9:30 at night--the most fascinating micro-lectures you'll ever attend. Nobody has not bought this book after opening it. --Open Books Indie Recommend
Following her widely acclaimed Autobiography of Red ('a spellbinding achievement' - Susan Sontag): a new collection of poetry and prose that displays Anne Carson's intoxicating mixture of opposites - the classic and the modern, cinema and print, narrative and verse. In Men in the Off Hours, Carson re-invents figures as diverse as Oedipus, Emily Dickinson and Audubon. She views the writings of Sappho, St Augustine and Catullus through a modern lens. She sets up startling juxtapositions (Lazarus among video paraphernalia; Virginia Woolf and Thucydides discussing war). And, in a final prose poem, she meditates on the recent death of her mother. With its quiet, acute spirituality, its fearless wit and sensuality, and its joyful understanding that 'the fact of the matter for humans is imperfection', Men in the Off Hours is profound, provocative and unforgettable.
This cahier unites two texts by celebrated Canadian poet Anne Carson, encouraging readers to experience them alongside and illuminating each other. Variations on the Right to Remain Silent is an essay on the stakes involved when translation happens, ranging from Homer through Joan of Arc to Paul Celan; it includes the author s seven translations of a poetic fragment from the Greek poet Ibykos. By Chance the Cycladic People is a poem about Cycladic culture where the order of the lines has been determined by a random number generator. The cahier is illustrated by Lanfranco Quadrio."