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The conundrum of understanding, practising and teaching contemporary creativity is that it wants to be all things to all people. Almost all modern lists of creativity, creative thinking and how-to ‘becoming creative’ books begin with one premise: the creative individual/artist is not special, rather each of us is creative in a special way and these skills can – and must - be nurtured. Increasingly, industry and education leaders are claiming that creativity is the core skill to take us into a prosperous future, signalling the democratisation of creativity as industry. Yet centuries of association between aesthetics, mastery and creativity are hard to dismantle. These days, it is increa...
Queering Autoethnography articulates for the first time the possibilities and politics of queering autoethnography, both in theoretical terms and as an intervention into narratives and cultures of apology, shame and fear. Despite the so-called mainstreaming of same-sex relationships and trans* visibility, many within gender’s ‘liminal zone’ remain invisible and unrecognized, existing somewhere outside of heteronormative relationships and institutions. At the same time, the political and scholarly potential of autoethnography is expanding, particularly in its potential to evoke empathic and affective responses at a time of public numbness, a practice crucial to making scholarly research...
Anne Harris returns with an outstanding look at the near future. Never before has her technological insight been so acute, or her portrayal of sex and gender issues more startling or insightful. A bio-technology corporation has created a new species, intelligent, four-armed, humanoid "tetras" who can live in the vats in which "the company" grows biopolymers. Both the tetras and the human vat-divers they were created to replace are at the mercy of vicious corporate politics. But soon the victims become the aggressors, and something amazing, a transcendent change, occurs not only in their lives, but throughout the world. Anne Harris has created an extraordinary, breathtaking vision of the future. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Perhaps the greatest strength of choosing video as a method for social research is its flexible and almost limitless potential for gathering, analyzing, writing up, and disseminating the research findings. Understanding the rich potential of video as both method and methodology is a process inextricably linked to epistemological, study design, analysis, and dissemination choices. As technology and media have evolved, video has become a primary tool of presenting information and ideas and a means of culture making. Video as Method provides researchers with a guide to understanding, designing, conducting, and disseminating video-based research, and the rapid proliferation of approaches, uses, and designs now available. In the face of large data sets, and the great range of types and uses of video as an effective research tool, many researchers struggle to know how best to represent both video-based methodologies and research findings. Anne Harris provides in-depth examples in each chapter, and guides readers step-by-step through the chapter topics in a methodical fashion that mirrors the research journey.
Over the past generation, kiteflying has evolved beyond a childhood rite of passage into a mainstream adult activity. The kite's popularity skyrocketed at a time when kite makers adopted modern synthetic materials developed for other industries. A new breed of sport kites appeared and kite artists emerged, dazzling onlookers with three-dimensional aerial sculptures. Inventors perfected new designs and accessories while entrepreneurs created a multimillion-dollar kiting industry. Yet, the kitefliers themselves have remained largely anonymous. Drawing on the World Kite Museum's audio archives, this book brings together firsthand stories from the community of devoted enthusiasts who pull the strings.
A one-of-a-kind novel, like nothing you've ever read, Inventing Memory is a stunning blend of fantasy and reality, exposing the secret links between the mythic, the mundane, and the timeless mysteries of the human heart. Shula is a slave in fabled Sumer---until Inanna, Queen of Heaven, appears before her. Chosen by the Goddess for reasons she cannot begin to fathom, Shula is freed from bondage and set upon an uncertain path toward a new and mysterious destiny. But the attention of the gods is a dangerous thing, and Shula may have cause to regret the day she first laid eyes on the Holy Inanna. Wendy Chrenko, former high school misfit, is now an overworked graduate student, researching her dis...
As touching as it is humorous, The Garden of Eden is a parable for our time with a powerful and ultimately redemptive ending that speaks to oft underappreciated virtues such as loyalty (sticking with those you love even when they screw up royally), tolerance, and forgiveness. It's also about the values that keep America together--the simple solutions ordinary people find to keep their small communities strong. Trooper Sam Neely is fresh out of the State Police academy and finds himself assigned to the dullest backwater town he's never heard of. Things heat up quickly in Eden, U.S.A., however, when Ed Harris, the banker, finds his wife in bed with his best friend, Hayden Elkins. Ed picks up a...
Thomas Sayre came with his family from England to Lynn, Massachusetts, in the early 1630's. Among descendants of Thomas were clergymen, surgeons, attorneys, ambassadors, and representatives of almost every profession. Francis B., cowboy, professor of law, and ambassador, was son-in-law of former President Woodrow Wilson. Zelda was the wife of American novelist, F. Scott Fitrzgerald, and subject of one of his books. David A. was a silversmith, banker, and founder of Lexington's Sayre School. Many Sayre descendants were taken by wars in service to America and never had the chance to win recognition for their abilities. SAYRE FAMILY another 100 years, in a large part, focuses on the early pione...