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Fic
What is fanfiction, and what is it not? Why does fanfiction matter? And what makes it so important to the future of literature? Fic is a groundbreaking exploration of the history and culture of fan writing and what it means for the way we think about reading, writing, and authorship. It's a story about literature, community, and technology—about what stories are being told, who's telling them, how, and why. With provocative discussions from both professional and fan writers, on subjects from Star Trek to The X-Files and Buffy the Vampire Slayer to Harry Potter, Twilight, and beyond, Fic sheds light on the widely misunderstood world(s) of fanfiction—not only how fanfiction is transforming...
No More Boats
Both a gripping family drama and a timely meditation on borders, the media, and immigration, No More Boats tells a universal story about fitting in and feeling threatened. Set in Sydney's working-class western suburbs, No More Boats is a vivid portrait of a family whose unraveling collides with a crisis known as the " Tampa affair," when over four hundred refugees were left stranded fifteen miles off the Australian coast as debate over their legitimate entry into the country raged. Antonio, a recently unemployed Italian immigrant, awkwardly assumes a starring role in the fracas, and drags into the spotlight his wife Rose, who has a rich back story of her own, and their two children, Nico and Claire, who are both drifting. Manipulated by the media and made vulnerable by his feelings of irrelevance, Antonio commits an act that makes him a lightning rod for the factions at odds over the Tampa affair. No More Boats is an unbiased, moving, original, and important story about the world we live in, the families we come from, and the raw impulses that we attempt to conceal.
Expanding Austenland
Expanding Austenland: The Pride and Prejudice Fanfiction Archive explores Jane Austen’s reception in popular culture through an exploration of the ever-expanding terrain of online fanfiction, professionally published (profic) texts, and other intertextual reworkings inspired by the author’s most popular novel, Pride and Prejudice. The book argues that given its pervasiveness, Pride and Prejudice could be usefully considered not as a single novel, but as an entire ‘archive’ of interrelated texts, or as a portal that opens a ‘virtual world’ for readers to expand and explore. By examining the Pride and Prejudice archive of interrelated texts, this book analyses the process through which an individual novel can develop a virtual life, or afterlife. The evolving world that is opened by Pride and Prejudice, and extended and enriched through fanfiction, is conceptualised in the monograph as ‘Austenland’.
In Between Days
In Between Days is a pitch-perfect story of first love, friendship, and enemies; of loyalty, betrayal, and the power of secrets. This darkly funny, suspenseful tale is perfect for fans of The Outsiders and The Breakfast Club.
The Legend of Jenni-Anne
When Ryan Spenzer and his family moved to the small remote mining town of Round Mountain, he never expected the adventure to follow. After meeting some of the residents, stories start to emerge about a girl who vanished and a mysterious mist that appears on a ridge during the full moon. Following the clues, Ryan and his new friends, Suzette and Alex, are led down a dangerous path that certain members of the community have tried to conceal for many years. Can the newly formed Adventure Squad crack the case, or will they vanish as well? Hang on for the ride of your life as the Adventure Squad tries to solve The Legend of Jenni-Anne.
Television Introductions
Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and ’60s, it was common for announcers to declare that a program had been “brought to you by” a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple,provided a brief encapsulation of the show’s subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for ...
The World in 2050
The world economy has, over the past half century, become increasingly intertwined, and countries mutually dependent. The convergence of emerging market economies (EMEs) with the advanced, richer ones has led to dramatic transformation—where the former have sustained growth rates far higher than the latter. But more recently, given the global economic turbulence since 2007, questions have arisen as to whether the era of rapid convergence is over, and whether more EMEs are destined to get mired in the middle-income trap. This book takes a long-term perspective of the economic and social outlook of the world to 2050, focusing on cross-cutting intergenerational issues that often get overshado...
Kafka’s Other Prague
Kafka’s Other Prague: Writings from the Czechoslovak Republic examines Kafka’s late writings from the perspective of the author’s changing relationship with Czech language, culture, and literature—the least understood facet of his meticulously researched life and work. Franz Kafka was born in Prague, a bilingual city in the Habsburg Empire. He died a citizen of Czechoslovakia. Yet Kafka was not Czech in any way he himself would have understood. He could speak Czech, but, like many Prague Jews, he was raised and educated and wrote in German. Kafka critics to date have had little to say about the majority language of his native city or its “minor literature,” as he referred to it i...
The Politics of Fandom
Fandom has been celebrated both as a harmonious, tolerant space and as apolitical and detached from reality. Yet fandom is neither harmonious nor apolitical. Throughout the past century, fandom has been shaped by recurring controversies and sparked by the emergence of new circles, platforms and discourses. Since the earliest days of science-fiction fandom, fans have conceived of their communities as quasi-political bodies, and of themselves as public actors in discursive spaces. They are concerned with the organizational structures, norms, and borders of fandom as well as their own position within it all. This latter concern has moved to the forefront as fan practices and platforms have been coopted by the entertainment industry and by political actors, forcing fans to situate their fannish and political identities in relation to both sprawling transmedia franchises and right-wing groups exploiting fannish formations for political ends. Through case studies of Glee and The Hunger Games fandoms as well as events such as Gamergate, RaceFail '09 and the Hugo Awards controversies, this book explores the complexities of political fandom.
Oz behind the Iron Curtain
Recipient of the 2018 Outstanding Faculty Research Achievement Award in the Department of Languages, Literatures, and Linguistics at Syracuse University In 1939, Aleksandr Volkov (1891-1977) published Wizard of the Emerald City, a revised version of L. Frank Baum's The Wonderful Wizard of Oz. Only a line on the copyright page explained the book as a "reworking" of the American story. Readers credited Volkov as author rather than translator. Volkov, an unknown and inexperienced author before World War II, tried to break into the politically charged field of Soviet children's literature with an American fairy tale. During the height of Stalin's purges, Volkov adapted and published this fairy t...
