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Dick B.'s second great discovery concerned the contents of the spiritual journal that Anne Ripley Smith had kept, shared, and used to teach Bill W., other AAs, and their families the underlying principles of A.A. The notebook lay unnoticed by historians and AAs alike even though it held the key to what early A.A. was really like--as related by the lady who was there as teacher, founder, and recorder. Dick B. is a writer, historian, Bible student, retired attorney, and active recovered member of A.A. He regards the Anne Smith discovery as perhaps the greatest of his historical finds and subjects in helping AAs to recover today.
In this fascinating book, originally published in 1989, Anne Smith records interviews with a group of octogenerian women, covering all social classes and a great variety of experience. She allows the women to speak for themselves, bringing to light the submerged history of ordinary women's lives. This book should be of interest to wide general readership, as well as students of British social history and women's studies.
Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes readers through the significance of part-book notation; solmization; rhythmic flexibility; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest, most glorious potential.
The story of A.A.'s birth at Dr. Bob's Home in Akron on June 10, 1935. It tells what early AAs did in their meetings, homes, and hospital visits; what they read; and how their ideas developed from the Bible, the Oxford Group, and Christian literature. It depicts the roles of A.A. founders and their wives, and of Henrietta Seiberling, and T. Henry & Clarace Williams. Foreword by John F. Seiberling Finally--a history that ties together the events in New York and Akron during A.A.'s formative years from 1931-1939. It tells of the Bud Firestone Miracle and the 1933 Oxford Group events in Akron. Then of the early meetings in New York and Akron. It details the specific contributions to A.A. that T...
Dick B. is today regarded as the leading A.A. historian. He is a writer, Bible student, retired attorney, and active recovered member of the A.A. fellowship. He has brought to the history table: (1) His strong belief in the Creator, Christianity, and the Bible as the main source book for truth. (2) His long and fervent work with newcomers in helping them to overcome their alcoholism with the power of God. (3) His talents in writing and research that emerged from his work at the University of California where he received a Phi Beta Kappa key, his editorship of the Stanford Law Review, and his vigorous practice in writing and presenting legal briefs before many many courts. This mid-point treatise had been followed by and added up to 33 A.A. history titles so far. This book is foundational.
This collection of essays explores the role of women and gender in a broad range of 'radical' religious movements of the post-Reformation.
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