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Ape Culture
Ape Culture traces the long cultural and scientific obsession with humanity's closest relatives. In the Western historical representations of modernity, depictions of apes were traditionally used to show the absence of culture. Standing as a liminal figure separating humans and animals, the ape has, since ancient times, played a central role in the narrative of civilisational progress. This book, which appears in conjunction with the exhibition of the same nameseeks, however, to go beyond the mere examination of apes as signifiers of difference. The juxtaposition of artworks with documents taken from popular culture and the history of primatology gives the reader an insight into what the science historian Donna Haraway has termed the primate order -- a hall of mirrors reflecting the scientific and cultural projections that turned the ape from an instrument of humanity's self-definition into an integral element in testing out the possibility of reconstructing human nature. Ape Culture will be shown at the Haus der Kulturen der Welt from 30 April to 6 July 2015.
Neolithic Childhood
Neolithic Childhood examines how in the interwar years the artistic avant-gardes in Europe and beyond reacted to the "crisis" of almost everything, from the barbarism of technological mass war to the hypocrisies of colonial discourse. The perceived need to re-establish European civilization after the disaster of the First World War led to an interminable reconstruction of origins and beginnings - making ground zero the limiting function of modernity. Based on the writings of the anti-academic art historian Carl Einstein (1885-1940), the exhibition is devoted to despair over the present and the pressing interest in altering humanity, as manifested from the 1920s to the 1940s in the artistic avant-gardes and the sciences. Exhibition: Haus der Kulturen der Welt, Berlin, Germany (13.04.-09.07.2018).
After Year Zero
The project (ie the exhibition and the publication) "After Year Zero" takes as its starting point the realignment of global relationships after the Second World War Europe s hour zero. However, it does not recount the post-1945 confrontation of the ideological blocs of the Cold War, and rather focuses on the world-historical caesura of decolonization. This investigation does not revolve around the confrontation, or the separation of identities, between the global North and South, but around models and geographies of collaboration, and reflection on the processes by which the universal is generated. By highlighting particular historical developments, it takes into account the fundamental inte...
Hollow Land
How does Israel extend its control over Palestinian lands? From the tunnels of Gaza to the militarized airspace of the Occupied Territories, Eyal Weizman unravels the mechanisms of control and how they have transformed Gaza and the West Bank into a war zone. This is essential reading for understanding how architecture and infrastructure are used as lethal weapons in the formation of Israel. In this new edition, Weizman explains how the events following the invasion of Gaza in October 2023 bear witness to the continuing policies of oppression. He details how this book became a foundational text for Forensic Architecture.
After Memory
Even seventy-five years after the end of World War II, the commemorative cultures surrounding the War and the Holocaust in Central, Eastern and South Eastern Europe are anything but fixed. The fierce debates on how to deal with the past among the newly constituted nation states in these regions have already received much attention by scholars in cultural and memory studies. The present volume posits that literature as a medium can help us understand the shifting attitudes towards World War II and the Holocaust in post-Communist Europe in recent years. These shifts point to new commemorative cultures shaping up ‘after memory’. Contemporary literary representations of World War II and the ...
Art for an Undivided Earth
In Art for an Undivided Earth Jessica L. Horton reveals how the spatial philosophies underlying the American Indian Movement (AIM) were refigured by a generation of artists searching for new places to stand. Upending the assumption that Jimmie Durham, James Luna, Kay WalkingStick, Robert Houle, and others were primarily concerned with identity politics, she joins them in remapping the coordinates of a widely shared yet deeply contested modernity that is defined in great part by the colonization of the Americas. She follows their installations, performances, and paintings across the ocean and back in time, as they retrace the paths of Native diplomats, scholars, performers, and objects in Europe after 1492. Along the way, Horton intervenes in a range of theories about global modernisms, Native American sovereignty, racial difference, archival logic, artistic itinerancy, and new materialisms. Writing in creative dialogue with contemporary artists, she builds a picture of a spatially, temporally, and materially interconnected world—an undivided earth.
The Photographic Invention of Whiteness
Focusing on the creation of the concept of Whiteness, this study links early photographic imagery to the development and exploitation that were common in the colonial Atlantic World of the mid-to-late nineteenth century. With the advent of the daguerreotype in the mid-nineteenth century, White European settlers could imagine themselves as a supra-national community, where the attainment of wealth was rapidly becoming accessible through colonisation. Their dispersal throughout the colonial territories made possible the advent of a new representative type of Whiteness that eventually merged with the portrayal of modernity itself. Over time, the colonisation of the Atlantic World became synonym...
No Matter how Bright the Light, the Crossing Occurs at Night ; [on the Occasion of No Matter how Bright the Light, the Crossing Occurs at Night, Judith Hopf, Ines Schaber, Natascha Sadr Haghighian, KW Institute for Contemporary Art, Berlin, September 23 - November 12, 2006]
This book is the outcome of collaborative research by artists Natascha Sadr Haghighian, Judith Hopf, Ines Schaber and curator Anselm Franke into various aspects of the spectral. It questions the circumstances of disappearance and invisibility and the relationships brought forth by the specter, the withdrawal of the status of reality and the conditions for transformation: the spectral destabilizes relationships between real and unreal, present and absent.
