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Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean
In this volume Anthi Andronikou explores the social, cultural, religious and trade encounters between Italy and Cyprus during the late Middle Ages, from ca. 1200 -1400, and situates them within several Mediterranean contexts. Revealing the complex artistic exchange between the two regions for the first time, she probes the rich but neglected cultural interaction through comparison of the intriguing thirteenth-century wall paintings in rock-cut churches of Apulia and Basilicata, the puzzling panels of the Madonna della Madia and the Madonna di Andria, and painted chapels in Cyprus, Lebanon, and Syria. Andronikou also investigates fourteenth-century cross-currents that have not been adequately studied, notably the cult of Saint Aquinas in Cyprus, Crusader propaganda in Santa Maria Novella in Florence, and a unique series of icons crafted by Venetian painters working in Cyprus. Offering new insights into Italian and Byzantine visual cultures, her book contributes to a broader understanding of cultural production and worldviews of the medieval Mediterranean.
The Chronique d’Ernoul and the Colbert-Fontainebleau Continuation of William of Tyre (Volume 2)
Volume 2 of the two-volume set MMed 135: These volumes offer the first critical edition of the Chronique d’Ernoul and the so-called Colbert-Fontainebleau (or Acre) Continuation of William of Tyre in over 150 years. The material is accompanied by an extensive introduction, glossary and bibliography. These two thirteenth-century narratives recount the story of the crusades and the Latin East. Both are anonymous; both employed the French vernacular and both contain accounts that are essential for anyone studying the subject. The Chronique d’Ernoul was completed in the 1230s in northern France. The main part of the Colbert-Fontainebleau Continuation of William of Tyre dates to the late 1240s and is a reworking of Ernoul with material going up to 1277; it was composed in the Latin East.
Preaching the Crusades to the Eastern Mediterranean
Preaching was an integral part of the crusade movement. This book focuses on the efforts of the first four Avignon popes to organize crusade preaching campaigns to the Eastern Mediterranean and on the role of the secular and regular clergy in their implementation. Historians have treated the fall of Acre in 1291 as an arbitrary boundary in crusader studies for far too long. The period 1305–1352 was particularly significant for crusade preaching, yet it has not been studied in detail. This volume thus constitutes an important addition to the flourishing field of late medieval crusade historiography. The core of the book deals with two interlocking themes: the liturgy for the Holy Land and t...
Late Byzantium Reconsidered
Late Byzantium Reconsidered offers a unique collection of essays analysing the artistic achievements of Mediterranean centres linked to the Byzantine Empire between 1261, when the Palaiologan dynasty re-conquered Constantinople, and the decades after 1453, when the Ottomans took the city, marking the end of the Empire. These centuries were characterised by the rising of socio-political elites, in regions such as Crete, Italy, Laconia, Serbia, and Trebizond, that, while sharing cultural and artistic values influenced by the Byzantine Empire, were also developing innovative and original visual and cultural standards. The comparative and interdisciplinary framework offered by this volume aims to challenge established ideas concerning the late Byzantine period such as decline, renewal, and innovation. By examining specific case studies of cultural production from within and outside Byzantium, the chapters in this volume highlight the intrinsic innovative nature of the socio-cultural identities active in the late medieval and early modern Mediterranean vis-à-vis the rhetorical assumption of the cultural contraction of the Byzantine Empire.
Mother of the Lamb
Mother of the Lamb tells the remarkable story of a Byzantine image that emerged from the losing side of the Crusades. Called the Virgin of the Passion in the East and Our Lady of Perpetual Help in the West, the icon has expanded beyond its Byzantine origins to become one of the most pervasive images of our time. It boasts multiple major shrines on nearly every continent and is reflected in every epoch of art history since its origin, even making an appearance at the Olympics in 2012. Matthew Milliner first chronicles the story of the icon's creation and emergence in the immediate aftermath of the Third Crusade, whereupon the icon became a surprising emblem of defeat, its own fame expanding i...
Shaping Identities in a Holy Land
In the 88 years between its establishment by the victorious armies of the First Crusade and its collapse following the disastrous defeat at Hattin, the Latin Kingdom of Jerusalem was the site of vibrant artistic and architectural activity. As the crusaders rebuilt some of Christendom's most sacred churches, or embellished others with murals and mosaics, a unique and highly original art was created. Focusing on the sculptural, mosaic, and mural cycles adorning some of the most important shrines in the Kingdom (such as the Church of the Holy Sepulchre, The Basilica of the Annunciation, and the Church of the Nativity), this book offers a broad perspective of Crusader art and architecture. Among...
The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600
This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the re...
Settlement and Crusade in the Thirteenth Century
Settlement and Crusade in the Thirteenth Century sheds new light on formerly less explored aspects of the crusading movement and the Latin East during the thirteenth century. In commemoration of the 800th anniversary of the construction of 'Atlit Castle, a significant section of this volume is dedicated to the castle, which was one of the most impressive built in the Latin East. Scholarly debate has centred on the reasons behind the construction of the castle, its role in the defence of the Kingdom of Jerusalem during the thirteenth century, and its significance for the Templar order. The studies in this volume shed new light on diverse aspects of the site, including its cemetery and the sur...
The Pittas Collection. Ediz. a Colori
Il volume Pittas III dimostra come la collezione Pittas vanti di attraversare tutta la storia dell'arte, dalla scultura greca a Louis Jean-François Lagrenée a Giorgio de Chirico. Le 100 opere raccolte nel volume, ciascuna con la relativa scheda di approfondimento e con le proprie immagini a confronto, tradiscono tuttavia uno spiccato interesse del collezionista verso la mitologia greca e romana, probabilmente imputabile alle sue origini nel Mediterraneo orientale. Le opere sono disposte pertanto secondo un ordine tematico ruotante intorno alla divinità a cui di volta in volta si ispirano o riferiscono: ogni divinità costituisce un capitolo a sé, offrendo in questo modo al lettore la facoltà di ricavare un percorso armonioso e coerente per ogni esempio riportato.Il volume, a cura di Anthi Andronikou e Peter Humfrey, non intende fornire un modello enciclopedico, bensì accertare il valore artistico di ciascuna opera.
Material Imagination
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. Provides a unique perspective on European art by prioritizing material dimensions over concept or context, while also paying attention to theoretical and historical concerns Explores artists’ methods and materials in order to better understand the social and cultural environments in which their works of art were made Demonstrates how materials can be harnessed to affect the critical interpretation of artwork Brings together exceptional illustrations and new research in eight essays by art historians and scholars
