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Historian Archie P. McDonald (1935-2012) retired in 2008 as director of the East Texas Historical Association and editor of the East Texas Historical Journal after thirty-seven years of service. A beloved professor and author of numerous books, he charted the course of the ETHA and served as leader of several organizations. He was an inspiration to countless students, colleagues, and others who share a common appreciation for Lone Star history. Dan K. Utley sat down with McDonald on several occasions to capture and preserve his experiences for posterity. The resulting memoir not only serves to trace McDonald's life and career but also reveals much about the maturation of a scholarly organization and its journal. McDonald was an evangelist for the study of history who believed in an open tent. This book is an important contribution to the historiography of Texas.
Texas "a whole other country"-a slogan that promotes tourism as much within the Lone Star State as elsewhere-is familiar to native Texans and those adopted sons and daughters who "got here just as quickly as they could." Texas is as varied as East Texas timberland, hundreds of miles of seashore, prairies of the Central and High Plains, and the dry desert of far West Texas. When traveling abroad and asked, "Where are you from?" residents of forty-nine of the United States usually respond, "the USA." Nearly every citizen of the Lone Star State will answer "Texas!" The world encourages such chauvinism. Mass media celebrates and exploits Texas and Texans in television and motion pictures about t...
"Traces, through legal documents and court cases, the roots of Texas community-property law to Castilian law during the Spanish Reconquest. Examines why Spanish community-property law developed so differently from elsewhere in Europe, why it survived in Texas, and what it offered that English common law did not"--Provided by publisher.
He Was Some Kind of a Man: Masculinities in the B Western explores the construction and representation of masculinity in low-budget western movies made from the 1930s to the early 1950s. These films contained some of the mid-twentieth-century’s most familiar names, especially for youngsters: cowboys such as Roy Rogers, Hopalong Cassidy, and Red Ryder. The first serious study of a body of films that was central to the youth of two generations, He Was Some Kind of a Man combines the author’s childhood fascination with this genre with an interdisciplinary scholarly exploration of the films influence on modern views of masculinity. McGillis argues that the masculinity offered by these films ...
Nacogdoches derives its name from the Caddo tribe that once lived in central East Texas along Banita and LaNana Creeks. Franciscan father Antonio Jesus de Margil established a mission for the Caddo people there in 1716. In 1779, Antonio Gil Y'Barvo founded the puebla of Nacogdoches and built the Stone House, or Stone Fort, the town's most enduring symbol of European influence. Nacogdoches served as headquarters for one of three administrative districts in Texas under Mexican authority and played a significant role in the Texas Revolution before stabilizing into a predominately rural and agricultural society. Two notable 20th-century developments--the selection of Nacogdoches as the home of Stephen F. Austin State University and the founding of Texas Farm Products, the city's first major industry--changed the community into a regional education, medical, and commercial center.
Americans have had an enduring yet ambivalent obsession with the West as both a place and a state of mind. Michael L. Johnson considers how that obsession originated, how it has determined attitudes toward and activities in the West, and how it has changed over the centuries.
The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.
This guide contains remarkable detail on several firsts and rarities for the time period, from crossings under fire and street fighting to now-familiar trench warfare.
Traditionally the military community held the intelligence profession in low esteem, spying was seen as dirty work and information was all to often ignored if it conflicted with a commander's own view. Handel examines the ways in which this situation has improved and argues that co-operation between the intelligence adviser and the military decision maker is vital.
For the past three decades, policies regarding a variety of information issues have emanated from federal agencies, legislative chambers, and corporate boardrooms. Despite the focus on information policy, it is still a relatively new concept and one only now beginning to be studied. The subject area is wider than believed—archives and records policies, information resources management, information technology, telecommunications, international communications, privacy and confidentiality, computer regulation and crime, intellectual property, and information systems and dissemination. This is not a compendium of policies to be used, but rather an exploration in a more detailed fashion of the ...