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From the National Book Award-winning author of Waiting: a narratively driven, deeply human biography of the Tang dynasty poet Li Bai—also known as Li Po In his own time (701–762), Li Bai's poems—shaped by Daoist thought and characterized by their passion, romance, and lust for life—were never given their proper due by the official literary gatekeepers. Nonetheless, his lines rang out on the lips of court entertainers, tavern singers, soldiers, and writers throughout the Tang dynasty, and his deep desire for a higher, more perfect world gave rise to his nickname, the Banished Immortal. Today, Bai's verses are still taught to China's schoolchildren and recited at parties and toasts; th...
In order to obtain the bone marrow needed to save his brother, his uncle had given Mu Qianyu to Dongfeng Imperial Family's Young Master to play with. She was a tool for the cold and domineering man to wantonly make fun of her. She told herself not to fall in love with an unwitting monarch, but to slowly walk into the trap that he had set himself, little by little, to no avail. Who was the one who lost their mind first? Her brother's scheme, her father's hatred, and her lover's use had driven her crazy. After despair left and he returned, would he be able to stop the incomparably dazzling her? Luckily, there were two steamed buns that would help him!
Poetry. A lovely bilingual edition of the 8th century Chinese poets Li Bai and Du Fu, translated by Keith Holyoak with calligraphy by Hung-hsiang Chou. "Holyoak's clarity carries the profundity and complexity of the Chinese culture not dissimilar to our own. 'The wine keeps flowing; the moon keeps watch'"--London Magazine. "Keith Holyoak has succeeded in producing translations of Chinese poetry that achieve high literary excellence while conveying a real sense of the musicality of the originals"--Johanthan Chaves.
A multidimensional approach to entrepreneurship, especially in the post-COVID-19 era, will have an important influence on the state of business and government, especially when considering the effects of technological development, innovation, glocalization, and nationalization policies that need to be adopted for inclusive sustainable growth, as well as the enhanced and efficient utilization of global resources. That means there is likely to be a shift in how entrepreneurship development and entrepreneurial opportunities will be perceived, developed, and resourced. The question is how to sustain SMEs and entrepreneurial innovation in the post-COVID-19 era. Thus, comprehensive research and kno...
Presents a translation of Li Po's poetry (AD 701-762). This book features Li Po's work which is suffused with Taoism and Zen Buddhism.
He had once obtained a high levelled medical knowledge, martial arts and a Special Ability which allowed him to see through the other party's thoughts. With this, the Young Master Han was able to roam the society, shopping malls, medicine courts, and government officials.
CHINA' S SEAMY UNDERSIDEKitty and her teenage friends, squatting in an empty apartment, are looking for gas to cook instant noodles. Bai Song and his wife, who live in the unit across the hallway, have a well-equipped kitchen with all the mod cons. Plus they' re old and retired, meaning they' re ripe for a bit of rough fun, Clockwork Orange-style.China at the turn of the century. Everything is upside down. Respect for your elders? You' ve got be joking. Communism? Yeah right. Cut-throat capitalism is the only way to get ahead. “ To get rich is glorious” .In ten wonderfully surreal stories, Anne Stevenson-Yang conjures up the atmosphere of a society in freefall. China as you' ve never imagined it: a wife who fakes her divorce so she can buy an apartment; neglected teens who tie up an elderly couple so they can use their kitchen; a country girl who poisons a disabled man for a residence permit.Living in China for nearly twenty-five years, Stevenson-Yang became fascinated in the “ muffled violence beneath the placid surface” .
This book examines Chinese traditional poetry with an emphasis on the sources of pleasure in creating and appreciating classical Chinese poems and the basis for valid aesthetic judgments about poetry. The pleasure derived from art plays a crucial role in people’s evaluation of its worth. This book shows that Chinese classical poetics and Western aesthetics agree on the sources of aesthetic pleasure. Both hold, despite their obvious differences, that aesthetic taste essentially involves cognition. The book explores important ideas in traditional Chinese poetry, emphasizing that “Poetry is founded upon the power of judgement (shi).” This central idea guides other key concepts throughout the history of Chinese poetics, revealing the fundamental principles of creating and appreciating poetic art. The author presents new views of traditional Chinese poetry and poetics by unifying these long-dispersed basic propositions into a new coherent cognitivist framework that also gives due importance to emotion. Scholars and students studying Chinese literature, poetics, philosophy of art, and philosophy of mind will find this book interesting.
A youth born with a blocked meridian actually obtained a miraculous skill that could only be practiced by those with a broken meridian. He used it to rise to the top when his family was in danger, cutting through all obstacles in a world where the strong ruled. He gradually walked towards the path of becoming a peak expert. Close]
Presents a representative cross-section of entries on all aspects of the history and culture of China. Alphabetically organized, the entries include* major cities and provinces* historical eras and figures* government and politics* economics* religion* language and the writing system* food and customs* sports and martial arts* crafts and architecture* important Chinese figures outside of mainland China* important Westerners in China.