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China in the World
Ban Wang traces the shifting concept of the Chinese state from the late nineteenth century to the present, showing how the Confucian notion of tianxia--"all under heaven"--influences China's dedication to contributing to and exchanging with a common world.
Illuminations from the Past
This book offers a cultural history of modern China by looking at the tension between memory and history. Mainstream books on China tend to focus on the hard aspects of economics, government, politics, or international relations. This book takes a humanistic look at modern changes and examines how Chinese intellectuals and artists experienced trauma, social upheavals, and transformations. Drawing on a wide array of sources in political and aesthetic writings, literature, film, and public discourse, the author has portrayed the unique ways the Chinese imagine and portray their own historical destiny in the midst of trauma, catastrophe, and runaway globalization.
Chinese Visions of World Order
The Confucian doctrine of tianxia (all under heaven) outlines a unitary worldview that cherishes global justice and transcends social, geographic, and political divides. For contemporary scholars, it has held myriad meanings, from the articulation of a cultural imaginary and political strategy to a moralistic commitment and a cosmological vision. The contributors to Chinese Visions of World Order examine the evolution of tianxia's meaning and practice in the Han dynasty and its mutations in modern times. They attend to its varied interpretations, its relation to realpolitik, and its revival in twenty-first-century China. They also investigate tianxia's birth in antiquity and its role in empi...
Ban Wang Hai
"Excavations at the Ban Wang Hai archaeological site at Muang district, Lamphun province, northern Thailand, revealed numerous graves of adults, infants and newborns, dating back more than 2000 years. Many graves were accompanied by items such as iron tools, bronze ornaments, glass beads, and clay pots, providing fascinating new insights into a little-known period of prehistory in this part of Southeast Asia." "The rarity of such finds within this region, and the quality of their condition, mark this site as one of great archaeological interest." "The Ban Wang Hai site was studied between 1996 and 1998 as the second part of a cooperative undertaking between the Fine Arts Department of Thaila...
Thailand; Official Standard Names Approved by the United States Board on Geographic Names
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The Sublime Figure of History
Throughout, the author seeks to delineate the ways the political masquerades as aesthetic discourse and aesthetic experience. Covering a wide range of material from fiction, poetry, aesthetics, and political discourse to memoirs, film, and historical documents, the book reconsiders a number of prominent cultural figures, including Wang Guowei, Cai Yuanpei, Lu Xun, Eileen Chang, Mao Zedong, Zhu Guangqian, and Li Zehou. It also analyzes such important cultural features and events as Western influences on the formation of modern Chinese aesthetic discourse, modernist writings, Revolutionary Cinema, the Cultural Revolution, and New Wave Fiction.
Ban Wang Hai
"Excavations at the Ban Wang Hai archaeological site at Muang district, Lamphun province, northern Thailand, revealed numerous graves of adults, infants and newborns, dating back more than 2000 years. Many graves were accompanied by items such as iron tools, bronze ornaments, glass beads, and clay pots, providing fascinating new insights into a little-known period of prehistory in this part of Southeast Asia." "The rarity of such finds within this region, and the quality of their condition, mark this site as one of great archaeological interest." "The Ban Wang Hai site was studied between 1996 and 1998 as the second part of a cooperative undertaking between the Fine Arts Department of Thaila...
Words and Their Stories
As China joins the capitalist world economy, the problems of social disintegration that gave rise to the earlier revolutionary social movements are becoming pressing. Instead of viewing the Chinese Revolution as an academic study, these essays suggest that the motifs of the Revolution are still alive and relevant. The slogan “Farewell to Revolution” that obscures the revolutionary language is premature. In spite of dislocations and ruptures in the revolutionary language, to rethink this discourse is to revisit a history in terms of sedimented layers of linguistic meanings and political aspirations. Earlier meanings of revolutionary words may persist or coexist with non-revolutionary rivals. Recovery of the vital uses of key revolutionary words proffers critical alternatives in which contemporary capitalist myths can be contested.
