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Baumgarten's Aesthetics
The German philosopher Alexander Gottlieb Baumgarten (1714–1762) introduced “aesthetics” as a new science in his Reflections on Poetry (1735) and developed this new part of philosophy in a series of later works, culminating in his unfinished Aesthetics (1750/1758). This volume is the first collection of essays in the English language devoted to Baumgarten’s aesthetics. The essays highlight the distinguishing features of Baumgarten’s aesthetics, situate it in its historical context, document its reception, and examine its contributions to contemporary philosophy.
Baumgarten’s Legacy in Kant’s Ethics
This book offers the first substantial account of Alexander Gottlieb Baumgarten’s significant influence on Kant’s ethics. Arguing that Baumgarten’s impact is more extensive and profound than previously thought, the book provides a novel interpretation of the formation of Kant’s ethical framework. Scholars have made use of Baumgarten’s Ethica philosophica (1740) to elucidate Kant’s complex terminology and to provide a background against which to understand Kant’s nuanced relationship to his predecessors. To date, however, no English book explores the specific influence of Baumgarten’s Ethica on Kant. This book comments on passages from the Ethica and contrasts them with Kant�...
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Facing Poetry
Alexander Gottlieb Baumgarten (1714–1762) is known in intellectual history for having established the discourse of philosophical aesthetics with his "Meditationes philosophicae de nonnullis ad poema pertinentibus" (Reflections on Poetry) and "Aesthetica" (Aesthetics), which consists of two books and is considered Baumgarten’s most important work. But this book amends that history. It shows that Baumgarten's aesthetics is a science of literature that demonstrates the value of literature to philosophy. Baumgarten did not intend to pursue such a task, but in working on his philosophical texts and lectures, he ends up analyzing, synthesizing, and contextualizing literature. He thereby treats it not as belles lettres or as a moral institution but rather as an epistemic object. His aesthetics is thus the first modern literary theory, and his articulation of this theory would never again be matched in its complexity and systematicity. Baumgarten’s theory of literature has never been discovered. It waits latently to take its place in intellectual history.
