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The Settlements
Ken Taranto had been visiting Israel once or twice a year for seven years when he decided to visit the settlement, Ma'ale Adumim, the first he had ever been to. He had seen the signs for it on the highway from Jerusalem to the Dead Sea and could see clusters of apartment buildings on the hilltops. Six months later Taranto and his family moved to Israel and he printed out a map of all the settlements and began to research them. He learned there were six distinct regions of settlements in the West Bank--Shomron, Binyamin, Gush Etzion, East Jerusalem, the Jordan Valley and the Hebron Hills. They were of various densities and ages. There were small settlements with a few hundred residents, some with a few thousand, and others with over ten or twenty thousand people. There were also many unofficial settlements, called outposts, with populations made up of a small number of families. The Settlements is an architectural portrait of the settlements in Israel from a broad sampling of all types, sizes, densities, ages and regions.
Found, Not Lost
This book has been an opportunity for Erwitt to revisit the photographs he made in his early career and to uncover meaning upon second glance which was not apparent when the image was originally taken. The master of visual one-liners--bold statement images replete with humour, irony and acknowledged absurdity--the photographs selected for this book are quieter, more subtle and suggest Erwitt's increasing confidence in his own eye. By selecting these photographs he has begun to both examine and challenge how his younger self saw the world.
Sin Salida
Sin Salida' ('No Way Out') by photographer Tariq Zaidi documents the impacts of the notorious Mara Salvatrucha gang (MS-13) and its rival Barrio 18 gang members on El Salvador. By depicting the gang members, police, prisons, murder sites, funerals, and the government?s war against the gangs, Zaidi illustrates the control the gangs have over the wider Salvadoran society, the violence through which they operate and the grief and loss resulting from the violence.
Spoor
Comprises of groups of color photographs made by Roger Palmer as he followed rail routes in South Africa.
Leave and Let Us Go
Leave and Let Us Go presents a portrait of Iraq --a country often misunderstood and misrepresented. In this new book, Alexandra Rose Howland combines her own photographs with found images and written testimonies with the aim of challenging and expanding the ways that geopolitical events are communicated.
The Death of a Beautiful Subject
Haunting black and white photographs of moths, beetles and butterflies, presented alongside an essay by the artist.
The Curious Moaning of Kenfig Burrows
This volume was inspired by the life and work of Victorian astronomer and photographer Thereza Dillwyn Llewelyn, and her father, John.
When We Lie Down, Grasses Grow from Us
Photographic book documenting seven years spent in Delhi, India.
