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This book delves into the history of subjective rights within the context of 19th-century Iran, specifically during the eventful Qajar era. The crux of its research lies in the emergence and evolution of the concept of subjective rights as opposed to the notion of objective rights. During this pivotal period, this transition marked a paradigm shift from “right as to be right” to “right as to have a right.” A central pillar of this book is the creation of a meta-theory, one that sheds light on the semantical evolution of the concept of rights. Within these pages, readers will find a concise history, tracing the conceptual path that led from the objective to the subjective realm of rights. In addition to these historical explorations, it delves into the intricate field of rights theory, investigating the foundations and justifications of rights. Employing the Hohfeldian framework, it analyses various conceptions of rights as they manifest within travel literature, enlightenment literature, and dream literature of the Qajar era. This book will be of interest to scholars and students with an interest in Iranian studies, Iranian history, Persian literature and human rights.
This book examines the failure of Islamic politics in becoming a hegemonic force in Indonesia and the far-reaching consequences for current practices of democracy and of Islam itself. In contrast to the thesis of compatibility between Islam and democracy following the dominant discourse of the Global War on Terror (GWOT) and neoliberal democracy, this study situates Islamic politics in broader social settings by examining its nature and trajectories throughout Indonesia’s modern political history. The book thus investigates how the practices of Islamic politics, or Islamism, have shaped and been transformed through political contestations and the formation of coalitions of multiple forces ...
Introducing "narrative mobility" as a new approach in comparative studies of Iran and the US, this book reinterprets the politics and aesthetics of relations between the nations through an analysis of Iranian and American authors. The book focuses specifically on three authors—Simin Daneshvar, Shahriar Mandanipour, and Don DeLillo—who each employ narrative mobility to rethink intercultural negotiation, addressing parallel issues in America and Iran from different, but complementary, perspectives. The book analyzes the employment of parallel narrational techniques, presenting physically and virtually mobile characters who embody their respective countries as they move from one culture to ...
This book is a comparative study of the development of English, Persian and Arabic literature and their interrelations with specific reference to modernity, nationalism and social value.
In his book on constitutional revolutions in the Ottoman Empire and Iran in the early twentieth century, Nader Sohrabi considers the global diffusion of institutions and ideas, their regional and local reworking and the long-term consequences of adaptations. He delves into historic reasons for greater resilience of democratic institutions in Turkey as compared to Iran. Arguing that revolutions are time-bound phenomena whose forms follow global models in vogue at particular historical junctures, he challenges the ahistoric and purely local understanding of them. Furthermore, he argues that macro-structural preconditions alone cannot explain the occurrence of revolutions, but global waves, contingent events and the intervention of agency work together to bring them about in competition with other possible outcomes. To establish these points, the book draws on a wide array of archival and primary sources that afford a minute look at revolutions' unfolding.
A thoroughly updated second edition that is an accessible introduction to the history, logic, moral implications and political tendencies of the idea of rights.
The word motreb finds its roots in the Arabic verb taraba, meaning ‘to make happy.’ Originally denoting all musicians in Iran, motrebi came to be associated, pejoratively, with the cheerful vulgarity of the lowbrow entertainer. In Iranian Music and Popular Entertainment, GJ Breyley and Sasan Fatemi examine the historically overlooked motrebi milieu, with its marginalized characters, from luti to gardan koloft and mashti, as well as the tenacity of motreb who continued their careers against all odds. They then turn to losanjelesi, the most pervasive form of Iranian popular music that developed as motrebi declined, and related musical forms in Iran and its diasporic popular cultural centre...
Persian Literature and Modernity recasts the history of modern literature in Iran by elucidating the bonds between the classical tradition and modernity and exploring textual, generic and discursive formations through heterodoxical investigations. This is first done through the rehabilitation of concepts embedded in tradition, including the munāzirah (debate), Ahrīman (the demonic), tajarrud (radical aloneness) and nāriz̤āyatī (discontent). Following this are broader structural and processual treatments, including the emergence of the genre of the social novel, the international dimension of Persian and Persianate canon formation, and the development of salvage ethnography and anthropo...
Introducing Judeo-Persian writings, this original collection gives parallel samples in Judeo-Persian and Perso-Arabic script and translations in English. Judeo-Persian writings not only reflect the twenty-seven centuries of Jewish life in Iran, but they are also a testament to their intellectual, cultural, and socioeconomic conditions. Such writings, found in the forms of verse or prose, are flavored with Judaic, Iranian and Islamic elements. The significant value of Judeo-Persian writing is found in the areas of linguistics, history and sociocultural and literary issues. The rhetorical forms and literary genres of epic, didactic, lyric and satirical poetry can be a valuable addition to the ...