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Benjamin Capps has been called the Texas author whose work will be read 100 years from now, but Clayton notes that Caps has not been the frequent subject of nationally disseminated critical interpretation, perhaps because he is an anomaly—a writer of serious, literary fiction set in the West. Notable are Capps's perceptive characterizations and his use of historical background and folklore.
Captured by the Comanches at the age of nine, Helen dreams of escape for more than fourteen years yet, when the time comes to choose freedom she discovers no choice exists as she has become absorbed in the Comanche culture.
This novel won the 1964 Spur Award for best western novel of the year. It is a realistic account of a cattle drive involving 3000 head along the Western Cattle Trail from a ranch about 50 or 60 miles west of San Antonio, Texas, to Ogallala, Nebraska, in the late 1870s or early 1880s. It is obvious that this Texan author did research in preparation for this story.
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
In the cattle country of Northwest Texas in the late nineteenth century, a man had to be smart and tough. Sam Chance was both. Mustering out of the Confederate army as a sergeant, Chance was possessed of steady nerves and a good business head. Like so many rugged men of his day, he headed west in 1865, determined to make good and to turn his dreams into reality. When he achieves near-legendary status and makes his fortune, Chance is forced to pay the steep price that the frontier exacts in exchange for such success. Book jacket.
Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.
This book represents the coming together of a number of internationally renowned scholars from science, philosophy, law and social science. Each author presents a distinctive and critical account of the current ethical, social and jurisprudential issues concerning stem cell science: together covering both its research beginnings, and the future translation into the clinical setting. Original to this volume is an emphasis on the inter-state implications of developments in stem cell science from the perspective of a truly global collaboration of leading authors. Academics and policy-makers will find it an invaluable contribution to the socio-political and ethical discourse of stem cell science. Contributions from a team of leading academic experts Covers a wide array of disciplines: with original contributions focusing on the technological, legal, social and ethical aspects of stem cell science A unique collection of international perspectives on developments in stem cell science Book jacket.
This pathbreaking book looks at everyday storytelling as a twofold phenomenon--a response to our desire for coherence, but also to our need to probe and acknowledge the enigmatic aspects of experience. Letting us listen in on dinner-table conversation, prayer, and gossip, Elinor Ochs and Lisa Capps develop a way of understanding the seemingly contradictory nature of everyday narrative--as a genre that is not necessarily homogeneous and as an activity that is not always consistent but consistently serves our need to create selves and communities. Focusing on the ways in which narrative is co-constructed, and on the variety of moral stances embodied in conversation, the authors draw out the instructive inconsistencies of these collaborative narratives, whose contents and ordering are subject to dispute, flux, and discovery. In an eloquent last chapter, written as Capps was waging her final battle with cancer, they turn to unfinished narratives, those stories that will never have a comprehensible end. With a hybrid perspective--part humanities, part social science--their book captures these complexities and fathoms the intricate and potent narratives that live within and among us.
Clad in a doeskin, alone and unafraid, she stood straight and proud before the onrushing forces of America's destiny: Sacajawea, child of a Shoshoni chief, lone woman on Lewis and Clark's historic trek -- beautiful spear of a dying nation. She knew many men, walked many miles. From the whispering prairies, across the Great Divide to the crystal capped Rockies and on to the emerald promise of the Pacific Northwest, her story over flows with emotion and action ripped from the bursting fabric of a raw new land. Ten years in the writing, SACAJAWEA unfolds an immense canvas of people and events, and captures the eternal longings of a woman who always yearned for one great passion -- and always it lay beyond the next mountain.
Who were the Indians of the Old West? Everyone knows them - the hawk-faced men with braided hair and war feathers, their copper skin stretched over high cheekbones. The tribal names are familiar too: Comanche, Cheyenne, Sioux, Kiowa, and others - all resonant of fierce valour, calling up images of painted horsemen with lances and bows. To most whites they represented the model of all Western Indians: the men trained from birth to hunt and fight; the women raised to sustain the warriors, sharing in celebrations of victory or slashing their bodies in moments of grief. For some tribes these images were true, but only partly true. For the Western Indians as a whole, they were only the most visible and spectacular manifestations of a broader, more complex story.