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Bernard Cohen
For an exhibition at the Flowers Gallery, London, this book, with texts by Norbert Lynton, who sadly died before publication, and Ian McKay, delves deeply into Cohen's paintings and drawings with the same burrowing instinct that prompts the artist to develop his visual language in every work he takes on.
Geopolitics of the World System
Cohen argues that the emergence of the United States as the world's sole superpower and the process of globalization have failed to remove the importance of geography as a political and strategic factor of great import. After laying out the structural basis for his theory of geopolitical theory, he launches into an examination of how geopolitical realities have developed since World War II, a period that witnessed greater change than the preceding two and a half centuries. He then turns his attention to the meat of the book, separate examinations of the each of the major world regions, including examinations of the important countries and their individual geopolitical realities.
Revolution in Science
Cohen's exploration seeks to uncover nothing less than the nature of all scientific revolutions, the stages by which they occur, their time scale, specific criteria for determining whether or not there has been a revolution, and the creative factors in producing a revolutionary new idea.
Bernard Berenson
"Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait o...
Press and Foreign Policy
The relationship between the Washington correspondents of major news-gathering media and representatives of the foreign policy sections of the United States government has long been assumed, but its nature has never been analyzed. In a pioneering study of this relationship, Professor Cohen has used the observable results of contact, the printed and spoken words of the correspondents, as well as data from two sets of structured interviews with members of the press and government in Washington in 1953-1954 and again in 1960. Because the treatment is placed in the general context of a theory of the foreign-policy making process, many of its insights should be applicable to government-press rela...
Bernard Cohen
A catalogue for author's exhibition at Flowers East, featuring paintings and drawings from the 1960's.
