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I can still feel the chills as I recall the scene on Fifth Avenue below the editor’s office in August 1997. This was really happening. Justice had prevailed. Two people were given their lives back because of the journalism by my team, the courage of our reporter and photographer. Now, their family was gathering in front of the building, holding copies of an EXTRA edition of The Herald-Dispatch that declared their freedom, holding signs and crying tears of gratitude. This was why, I was sure, the Founders had created the First Amendment. We had stood up to a foreign government and forced our own to do the right thing. Stories would not always end so elegantly. Justice and good journalism do not always win. There would be decades of frustration between moments of celebration. But this is a moment when journalism won. And it felt amazing.
Welcome to the world of Gary Yordon—former politician, part-time television host, and accidental newspaper columnist. When Yordon's world began giving him stories too good not to immortalize, he sent one to a friend at a newspaper. Two years and seventy-five columns later, he had a rabidly loyal readership. Their persistent requests led to this collection. There is nothing above Yordon's satire, including his lack of home repair skills, addiction to Steven Seagal movies, and kidney stone intolerance. (Okay, maybe Yordon is normal in that regard.) He admits to actively resisting the temptation to write excessively about his mother, who is "a living, breathing, Neil Simon play." "My ninety-y...
Featuring a new code of ethics for journalists and essays by 14 journalism thought leaders and practitioners, this authoritative, practical book examines the new pressures brought to bear on journalism by technology and changing audience habits. It offers a new framework for making critical moral choices, as well as case studies that reinforce the concepts and principles rising to prominence in 21st century communication. The book addresses the unique problems facing journalism today, including how we arrive at truth in an era of abundant and unverified information; the evolution of new business models and partnerships; the presence of journalists on independent social media platforms; the role of diversity; the meaning of stories; the value of images; and the role of community in the production of journalism.
Presents experimental economics research focusing on issues of environmental quality and sustainability. This title covers such topics as institutions for cap-and-trade, eco-tourism, urban sprawl, and optimal pollution control strategies.
In this vividly written, compelling narrative, award-winning journalist Neil Henry confronts the crisis facing professional journalism in this era of rapid technological transformation. American Carnival combines elements of memoir with extensive media research to explore critical contemporary issues ranging from reporting on the Iraq War, to American race relations, to the exploitation of the image of journalism by advertisers and politicians. Drawing on significant currents in U.S. media and social history, Henry argues that, given the amount of fraud in many institutions in American life today, the decline of journalistic professionalism sparked by the economic challenge of New Media poses especially serious implications for democracy. As increasingly alarming stories surface about unethical practices, American Carnival makes a stirring case for journalism as a calling that is vital to a free society, a profession that is more necessary than ever in a digital age marked by startling assaults on the cultural primacy of truth.
Baseball has served as the pastime of preference in Asheville, North Carolina, for more than a century. Nearly anywhere a flat lot can be found in the rolling hills of the Blue Ridge Mountains, baseball has been played by locals and visitors alike, with many of the city's greatest thrills created by the hometown Tourists, who have been mainstays in the professional ranks for most of the past 80 years. Oates Park, where author Thomas Wolfe toiled as a batboy prior to attending the University of North Carolina, served as the home of the Mountaineers, Tourists, and the semi-pro Asheville Royal Giants during the first three decades of the 20th century until McCormick Field was built in the mid-1920s. The ballpark, just south of downtown Asheville, welcomed the likes of Ty Cobb and Babe Ruth during exhibition contests, while future Hall of Famers Eddie Murray and Willie Stargell and current standouts Todd Helton and Juan Pierre honed their skills in the mountains on their way to the game's top level.
At their basic level, sporting events are about numbers: wins and losses, percentages and points, shots and saves, clocks and countdowns. However, sports narratives quickly leave the realm of statistics. The stories we tell and retell, sometimes for decades, make sports dramatic and compelling. Just like any great drama, sports imply conflict, not just battles on the field of play, but clashes of personalities, goals, and strategies. In telling these stories, we create heroes, but we also create villains. This book is about the latter, those players who transgress norms and expectations and who we label the "bad boys" of sports. Using a variety of approaches, these 13 new essays examine the cultural, social, and rhetorical implications of sports villainy. Each chapter focuses on a different athlete and sport, questioning issues such as how notorious sports figures are defined to be "bad" within particular sports and within the larger culture, the role media play in creating antiheroes, fan reactions when players cross boundaries, and how those boundaries shift depending on the athlete's gender, sexuality, and race.
A searing exposé of how the multibillion dollar college sports empire fails universities, students, and athletes. With little public debate or introspection, our institutions of higher learning have become hostages to the rapacious, smash-mouth entertainment conglomerate known, quaintly, as intercollegiate athletics. In Champions Way, New York Times investigative reporter Mike McIntire chronicles the rise of this growing scandal through the experience of the Florida State Seminoles, one of the most successful teams in NCAA history. A finalist for the Pulitzer Prize for his Times investigation of college sports, McIntire breaks new ground here, uncovering the workings of a system that enable...
This volume contains a lot of variety, an eclectic mix of Florida literature and history by scholars from across the state representing every kind of institution of higher learning. The first section, Pedagogy, highlights essays about employing service learning, blogging, and primary archival research into the classroom, among other techniques. The Old Florida section includes essays exploring the following topics as diverse as the first black general in Florida (1791), poet Wallace Stevens, and the memoirs of colonial Florida women. The next section—Contemporary Florida—contains essays on EPCOT theme park, Florida newspapers, the rhetoric of Carl Haissen, and the stereotyped poor white Southerner. Jim Morrison’s use of Floridian imagery is the topic of the essay in Natural Florida, and the poem “Pineapple Grill” falls into the category Creative Showcase.