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This collection of essays explores the literature of Italian immigrants in Canada and their children by focusing on the central role that themes of migration hold in their work. Addressing topics such as the oral roots of Canadian immigrant writing, the changing place of women in works of the Italian diaspora, and the persistent difficulties of translation, this work provides an international perspective on some of the most pressing questions in the study of literature today. In addition to Canadian works, the work of immigrant writers from Australia and other countries is also considered, producing nuanced observations of cultural differences and affinities.
This historic collection, the first of its kind, is devoted to the discussion of Italian-Canadian writers publishing in English, in French or in Italian. These critical essays include analyses of some important writing: F.G. Paci's Black Madonna, the poetry of Mary di Michele and Pier Giorgio Di Cicco, the plays of Marco Micone, Gens du Silence and Addolorata, the novels of Maria Ardizzi and many other titles. The ten contributors make significant additions to the study of Canadian literature: D.C. Minni examines the short story; Alexandre Amprimoz and Sante Viselli consider Italian-Canadian poetry; Roberta Sciff-Zamaro analyses Black Madonna; Robert Billings fathoms di Michels's verse; Fran...
Elizabeth McNeill Galvin traces the life of Isabella Valancy Crawford, considered to be Canadas first poet to use Canadian themes.
Discusses children's poetry, the techniques and forms of poetry, and related topics, and provides advice for teachers on such aspects of using poetry in the classroom as reading aloud, dramatization, and student poetry writing.
As a comparative study which includes the analysis of both English-Canadian and Quebec novels, this book provides an overview of the novel as it has developed in this country since the Second World War. Focusing on narratological rather than thematic elements, the book represents a systematic application of the insights and analytical tools of reader-reception theory, in particular the models proposed by Wolfgang Iser and Hans Robert Jauss. Placing the emphasis on the text and its effects rather than on the historical or psycho-sociological genesis of the text, the author invokes the models and paradigms of other literatures to establish a broader cultural context permitting the significance of a literature to emerge as a carrier of meaning in and beyond the culture that produces it. Tracing a critical path from Hugh MacLennan's hierarchic romance structures and Gabrielle Roy's social realism to the metafictions of Hubert Aquin and Timothy Findley, the author reveals that the novel's narratological features themselves are often closely linked with ideological positions.
"Scenes from Canadian plays for two to six actors. Thirty-two excellent opportunities for young thespians these are texts which I would certainly use with my own senior students of dramatic arts." Reviewing Librarian
The breadth of this work will allow the reader to acquire a comprehensive and panoramic picture of the nature of innovation within a single handbook.
In 2013, the Nobel Prize for Literature was for the first time awarded to a short story writer, and to a Canadian, Alice Munro. The award focused international attention on a genre that had long been thriving in Canada, particularly since the 1960s. This book traces the development and highlights of the English-language Canadian short story from the late 19th century up to the present. The history as well as the theoretical approaches to the genre are covered, with in-depth examination of exemplary stories by prominent writers such as Margaret Atwood and Alice Munro.