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Triangulated Visions
This broad-ranging collection, the first of its kind, gathers essays on the representation of women in recent German cinema, as well as recent interviews with German women filmmakers.
Roman Imperialism and Civic Patronage
In this book, Brenda Longfellow examines one of the features of Roman Imperial cities, the monumental civic fountain. Built in cities throughout the Roman Empire during the first through third centuries AD, these fountains were imposing in size, frequently adorned with grand sculptures, and often placed in highly trafficked areas. Over twenty-five of these urban complexes can be associated with emperors. Dr. Longfellow situates each of these examples within its urban environment and investigates the edifice as a product of an individual patron and a particular historical and geographical context. She also considers the role of civic patronage in fostering a dialogue between imperial and provincial elites with the local urban environment. Tracing the development of the genre across the empire, she illuminates the motives and ideologies of imperial and local benefactors in Rome and the provinces and explores the complex interplay of imperial power, patronage, and the local urban environment.
Nothing Happens
Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work--from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il ...
The Long Life of Evangeline
"Ye who believe in affection that hopes, and endures, and is patient, Ye who believe in the beauty and strength of woman's devotion, List to the mournful tradition still sung by the pines of the forest; List to a Tale of Love in Acadie, home of the happy." Generations of readers have now accepted the call of Henry Wadsworth Longfellow to join his heroine Evangeline in her search for Gabriel, the lover she was separated from during the expulsion of the Acadians from Nova Scotia and New Brunswick. This critical history of the book-length poem describes its reception in the weeks and months that followed the 1847 release, explains its continued popularity down through the years, and offers insights on its interpretation and relevance today.
Candid Eyes
Documentaries have dominated Canada's film production and have been crucial to the formation of Canada's cinematic identity. This volume will be an indispensable companion for anyone seriously interested in Canadian film studies.
Great Canadian Film Directors
Film directors articulate creative visions that provide insights into national cultures. 18 essays highlight Canada's prominent Anglophone and Francophone filmmakers.
One Hundred Years of Canadian Cinema
Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
The Temple Complex at Horvat Omrit
This report from the Omrit temple excavations presents artifacts (e.g., ceramics, frescoes, coins, etc.) recovered in the excavations of the Roman period sanctuary in northern Israel, and discusses the stratigraphy, building phases, and dating of the complex.
Fountains and Water Culture in Byzantium
This collection explores the ancient fountains of Byzantium, Constantinople and Istanbul, reviving the senses of past water cultures.
North of Everything
This is the first book to comprehensively examine the development of English-Canadian cinema since 1980; previous books in English have dealt either with specific films or filmmakers, with policy, or with specific genres (avant-garde film, documentary, films by women, etc.). It deals with regional and institutional questions, with the new authors that are defining contemporary cinema in English Canada, with avant-garde work and work by Aboriginal people. Bringing together a wide variety of contributors, the book deals with an enormous amount of cinema that has helped transform North American culture of the last two decades.
