Seems you have not registered as a member of localhost.saystem.shop!
You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
Okakura Tenshin and Pan-Asianism
This volume explores four key themes emanating from Okakura Tenshin’s philosophy and legacy: Okakura Tenshin and the Ideal of Pan-Asianism; Other Forms of Pan-Asianism (especially Islam and China); Art and Asia, and Ways of Defining Asia (up to the present day). Okakura Tenshin (1862-1913), art historian and ideologue driven by a notion of Asia bound by culture, is a significant figure in Japan’s modern intellectual history. His writings in both Japanese and English became part of a growing discourse that positioned Japan as the guardian and protector of Asia against the depredations, cultural as much as economic and political, of the West. At the outbreak of the Pacific War, the first line of Okakura’s 1903 book (‘Asia is One’), The Ideals of the East, was celebrated posthumously by the Japanese military as the most powerful expression of Japan’s goal of political ascendancy in Asia.
Movie History: A Survey
How can we understand the history of film? Historical facts don’t answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the 21st century. An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history.
Imagining a Postnational World
This book analyzes the historical significance of rivaling concepts of world order in 20th century East Asia. Since the arrival of European imperialism in 19th century – coupled with its different schools of political philosophy and international law – China has struggled to combine ideas on national sovereignty, spatiality and hegemony in its quest of either imitating or replacing European norms of world order. By analyzing Chinese visions of regional and international order and comparing them with Japanese proposals of that era, this book discusses in detail the relationship of territoriality and political rule, discourses of amity and enmity, and finally the role of hegemoniality in the process of imagining a possible postnational world in 21st century East Asia and beyond.
Civil Examinations and Meritocracy in Late Imperial China
During China's late imperial period (roughly 1400-1900 CE), men would gather by the millions every two or three years outside official examination compounds sprinkled across China. Only one percent of candidates would complete the academic regimen that would earn them a post in the administrative bureaucracy. Civil Examinations assesses the role of education, examination, and China's civil service in fostering the world's first professional class based on demonstrated knowledge and skill. While millions of men dreamed of the worldly advancement an imperial education promised, many more wondered what went on inside the prestigious walled-off examination compounds. As Benjamin A. Elman reveals...
Slow Cinema
Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.
Contested Homelands
This book argues that the changing character of Muslim community and their living space in Delhi is a product of historical processes. The discourse of homeland and the realities of Partition established the notion of 'Muslim-dominated areas' as 'exclusionary' and 'contested' zones. These localities turned out to be those pockets where the dominant ideas of nation had to be engineered, materialized and practiced. The book makes an attempt to revisit these complexities by investigating community-space relationship in colonial and postcolonial Delhi. It raises two fundamental questions: · How did community and space relation come to be defined on religious lines? · In what ways were 'Muslim-dominated' areas perceived as contested zones? Invoking the ideas of homeland as a useful vantage point to enter into the wider discourse around the conceptualization of space, the book suggests that the relation between Muslim communities and their living spaces has evolved out of a long process of politicization and communalization of space in Delhi.
Tracking the Media
This book is about media content analysis in the English language print media in South Asia, with reference to certain contemporary issues. It is written from the perspective of the need to analyze media discourses and the ways in which their circulation creates a ‘common sense’ view of the world. The focus is on English language papers and news magazines; additionally, some Hindi, Urdu, and Sindhi newspapers are examined. The highlight is on the ways in which English language publications contribute to and function within middle class matrices of modernity, consumption, conflict, and conservatism in India.
Asian Place, Filipino Nation
The Philippine Revolution of 1896–1905, which began against Spain and continued against the United States, took place in the context of imperial subjugation and local resistance across Southeast Asia. Yet scholarship on the revolution and the turn of the twentieth century in Asia more broadly has largely approached this pivotal moment in terms of relations with the West, at the expense of understanding the East-East and Global South connections that knit together the region’s experience. Asian Place, Filipino Nation reconnects the Philippine Revolution to the histories of Southeast and East Asia through an innovative consideration of its transnational political setting and regional intel...
The Buddha in the Machine
The writers and artists described in this book are joined by a desire to embrace 'Eastern' aesthetics as a means of redeeming 'Western' technoculture. The assumption they all share is that at the core of modern Western culture there lies an originary and all-encompassing philosophical error - and that Asian art offers a way out of that awful matrix. That desire, this book attempts to demonstrate, has informed Anglo- and even Asian-American debates about technology and art since the late nineteenth century and continues to skew our responses to our own technocultural environment.
The Curious Case of the Camel in Modern Japan
In The Curious Case of the Camel in Modern Japan, Ayelet Zohar addresses issues of Orientalism, colonialism, and exoticism in modern Japan, through images of camels – the epitome of Otherness, and a metonymy for Asia in the Japanese imagination.
