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Published to coincide with exhibitions at the Ruskin Gallery, Cambridge (1-23 February 2006) and the Leinster Gallery, Dublin (1-17 March 2006).16 page catalogue in full colour with essays by Chistopher Horrocks and David Ryan.
The Dead C's Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous during the 1980s. This book uses The Dead C and in particular their album Clyma est mort (1993) to offer insights into the way the best of rock music plays vertigo with our senses, illustrating a sonic picture of freedom and energy. It places the album into the history of independent music in New Zealand, and into an international context of independent labels posting, faxing and phoning each other.
When God created man, He did so with the intention that man would live in perfect harmony with his Creator and with the rest of natural creation; however, man’s disobedience fractured the relationship and opened the door for pain, heartache, disaster, and even death to enter the world. God’s original intention has not changed—He still desires that His children enjoy the fullness of all He has to offer. The Garden and the Ghetto is a collection of stories that illustrate the continued effects of obedience and disobedience, as well as essays that teach us how to return to a garden existence with the One who made us. Just as disobedience pushed mankind out of the perfect environment Fathe...
Is evil evidence against the existence of God? Even if God and evil are compatible, it remains hotly contested whether evil renders belief in God unreasonable. The Evidential Argument from Evil presents five classic statements on this issue by eminent philosophers and theologians and places them in dialogue with eleven original essays reflecting new thinking by these and other scholars. The volume focuses on two versions of the argument. The first affirms that there is no reason for God to permit either certain specific horrors or the variety and profusion of undeserved suffering. The second asserts that pleasure and pain, given their biological role, are better explained by hypotheses other than theism. Contributors include William P. Alston, Paul Draper, Richard M. Gale, Daniel Howard-Snyder, Alvin Plantinga, William L. Rowe, Bruce Russell, Eleonore Stump, Richard G. Swinburne, Peter van Inwagen, and Stephen John Wykstra.
Believing the wrong thing can have drastic consequences. The question of when a person is not only ill-guided, but genuinely at fault for holding a particular belief goes to the root of our understanding of such notions as criminal negligence and moral responsibility. This book explores the conditions under which someone may be deemed blameworthy for holding a particular belief, drawing on contemporary epistemology, ethics and legal scholarship.
In the first two volumes of On What Matters Derek Parfit argues that there are objective moral truths, and other normative truths about what we have reasons to believe, and to want, and to do. He thus challenges a view of the role of reason in action that can be traced back to David Hume, and is widely assumed to be correct, not only by philosophers but also by economists. In defending his view, Parfit argues that if there are no objective normative truths, nihilism follows, and nothing matters. He criticizes, often forcefully, many leading contemporary philosophers working on the nature of ethics, including Simon Blackburn, Stephen Darwall, Allen Gibbard, Frank Jackson, Peter Railton, Mark ...
The problem of evil is perhaps the greatest challenge to belief in a loving and personal God. The challenge naturally leads us to ask, “Why, God, has this happened to me, to my loved ones, to my enemies?” Or, to ask with the Psalmist, “Where art thou God?” Or, to perhaps echo Jesus, “My God, my God, why hast thou abandoned me?” In this fourth volume of the Exploring Mormon Thought series, God's Plan to Heal Evil, Blake T. Ostler examines how others in the Christian and Mormon traditions have attempted to provide solutions to this challenge and the shortcomings they contain. Ostler then looks to Mormon theology to offer what he calls the Plan of Agape, or what is perhaps the most robust explanation of how belief in a loving, personal God can be had in light of all of the suffering that exists in the world.
In the Path of the Storms is touching and heroic portrait of two Alabama Gulf Coast communities.
The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse around human capital, flat structures and collectives as a means for ‘making’ the things of everyday life. As the essays presented in this collection illustrate, there is an emerging field of discourse about the potential of the collective as an organising and generative community structure that links creativity, social change and politics. Furthermore it is clear that in this developing context there are a number of issues central to d...