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Jean Baptiste, "A Poetic Olio, in II Cantos, by Levi Adams" was published as a small book in Montreal in 1825. The entire poem was reprinted in the February 1826 issue of The Canadian Review and Magazine; on this occasion Adams' name was replaced by the initials "L.A." The same short form of the signature was also appended to two stories in The Canadian Magazine of June, 1825, and to five poems in The Montreal Herald between January 22, 1825 and February 22, 1826.
Edward Elgar (1857-1934) is undoubtedly one of the most fascinating, important, and influential figures in the history of British music. He rose from humble beginnings and achieved fame with music that to this day is beloved by audiences in England, and his work has secured an enduring legacy worldwide. Leading scholars examine the composer's life in Edward Elgar and His World, presenting a comprehensive portrait of both the man and the age in which he lived. Elgar's achievement is remarkably varied and wide-ranging, from immensely popular works like the famous Pomp and Circumstance March no. 1--a standard feature of American graduations--to sweeping masterpieces like his great oratorio The ...
How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
Serious scholarship on the music of Ralph Vaughan Williams is currently enjoying a lively revival after a period of relative quiescence, and is only beginning to address the enduring affection of concert audiences for his music. The essays that comprise this volume extend the study of Vaughan Williams's music in new directions that will be of interest to scholars, performers and listeners alike. This volume contains the work of eleven North American scholars who have been recipients of the Ralph Vaughan Williams Fellowship based at the composer's own school, Charterhouse, which was created and has been supported by the Carthusian Trust since 1985. This wide-ranging and detailed collection of essays covers the spectrum of genres in which Vaughan Williams wrote, including dance, symphony, opera, song, hymnody and film music. The contributors also employ a range of analytical and historical methods of investigation to illuminate aspects of Vaughan Williams's compositional techniques and influences, musical, literary and visual.
Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape. The recent success of Anthony Payne's elaboration of the sketches for Elgar's Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgar's work in its historical and cultural context. Established authorities on British music and scholars new in the field examine Elgar's music from a range of critical perspectives, including nationalism, post-colonialism, decadence, reception and musical influences. There are also chapters on interpretation, including his own (Elgar was the first major composer to commit a representative quantity of his own work to record), and on Elgar's relationships with the BBC and with his publishers. The book includes much new material, drawing on original research, as well as providing a comprehensive introduction to Elgar's major musical achievements.
In Choral Masterpieces: Major and Minor, historian Nicholas Tarling surveys the landscape of choral works, some standard masterpieces that are commonly performed by choruses around the world, others deserving a second, closer look. As noted in the foreword by Uwe Grodd , music director of the Auckland Choral Society, this work “is a collection of essays about a number of outstanding works, including Beethoven’s Miss Solemnis and Britten’s War Requiem, but he also invites attention to lesser masterpieces. If the choral movement, which includes both singers and listeners, is to survive, new works must be created and repertory expanded. The book is an easy and captivating read even if you...
When Kayla Adams wants something, she goes after it. But she may have met her match in gorgeous Ethan Graham. The billionaire takeover king has come up with an offer the alluring Southern beauty can't refuse. Original.
Rebecca Priestley longs to be in Antarctica. But it is also the last place on Earth she wants to go.In 2011 Priestley visits the wide white continent for the first time, on a trip that coincides with the centenary of Robert Falcon Scott's fateful trek to the South Pole. For Priestley, 2011 is the fulfilment of a dream that took root in a childhood full of books, art and science and grew stronger during her time as a geology student in the 1980s. She is to travel south twice more, spending time with Antarctic scientists &– including paleo-climatologists, biologists, geologists, glaciologists &– exploring the landscape, marvelling at wildlife from orca to tardigrades, and occasionally gett...