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The Dawn of a Discipline
The history of international criminal justice told through the revealing stories of some of its primary intellectual figures.
Writing History as a Prophet
This is a postmodernist history of the historical novel with special attention to the political implications of the postmodernist attitude toward the past. Beginning with the poetics of Sir Walter Scott, Wesseling moves via a global survey of 19th century historical fiction to modernist innovations in the genre. Noting how the self-reflexive strategy enables a novelist to represent an episode from the past alongside the process of gathering and formulating historical knowledge, the author discusses the elaboration of this strategy, introduced by novelists such as Virginia Woolf and William Faulkner, in the work of, among others, Julian Barnes, Jay Cantor, Robert Coover and Graham Swift.Wesseling also shows how postmodernist writers attempt to envisage alternative sequences for historical events. Deliberately distorting historical facts, authors of such uchronian fiction, like Thomas Pynchon, Ishmael R. Read, Salman Rushdie and Gunter Grass, imagine what history looks like from the perspective of the losers, rather than the winners.
A Real American Character
Walter Brennan (1894-1974) was one of the greatest character actors in Hollywood history. He won three Academy Awards and became a national icon starring as Grandpa in The Real McCoys. He appeared in over two hundred motion pictures and became the subject of a Norman Rockwell painting, which celebrated the actor's unique role as the voice of the American Western. His life journey from Swampscott, Massachusetts, to Hollywood, to a twelve thousand-acre cattle ranch in Joseph, Oregon, is one of the great American stories. In the first biography of this epic figure, Carl Rollyson reveals Brennan's consummate mastery of virtually every kind of role while playing against and often stealing scenes ...
Stripped
Cancer—that unfair, indiscriminate, devastating disease—affects everyone at some point, whether a family member, a friend, or ourselves. It is a life-altering event of seismic proportions that forever impacts the landscape of our lives and, with raw force, pushes us to reorder priorities, reassess values, and perhaps rethink our faith. A diagnosed tumor forced Heather King to this crisis of mortality, to live at the crossroads of uncertainty, belief, fear, culture, and modern medicine. Only her faith in Christ, the Great Physician, helped her sort through the crippling uncertainty and choose her best way forward. Stripped is a heartfelt expression of profound Catholic faith in the face o...
The Making of Sylvia Plath
Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer. Until now, little sustained attention has been paid to the influences on Plath’s life and work. What movies did she watch? Which books did she read? How di...
The Nine Lives of Otto Katz
'Spies should be glamorous - James Bond in a Savile Row suit rather than Harry Palmer in a grubby mac . . . In those terms, Otto Katz was perfect. He was a Hollywood playboy who hobnobbed with Fritz Lang, he inspired the character of Victor Laszlo in Casablanca, he was a drinking buddy of Bertolt Brecht and among his lovers he claimed Marlene Dietrich. He was even known to Nöel Coward' The Times If you were to imagine the perfect spy, you may well be picturing Otto Katz. He was charming, suave, and utterly ruthless. In the golden years of the spy game, from Hitler's rise to power, through the Second World War, and on into the Cold War, Otto Katz was at the centre of Russia's web of international intrigue. His fingerprints can be found on one world changing event after another. Using recently released FBI, MI5 and Czech files, Jonathan Miles has created an action-packed story of the life (or lives) of one of the world's most successful spies . At the same time he paints a vivid portrait of the shadow world that exists behind the headlines where the actions of a man like Katz can, and do, change the course of history.
Susan Sontag
This first biography of Susan Sontag (1933–2004) is now fully revised and updated, providing an even more intimate portrayal of the influential writer's life and career. The authors base this revision on Sontag's newly released private correspondence—including emails—and the letters and memoirs of those who knew her best. The authors reveal as never before her early years in Tucson and Los Angeles, her conflicted relationship with her mother, her longing for her absent father, and her precocious achievements at the University of California, Berkeley, and the University of Chicago. Papers, diaries, and lecture notes, many accessible for the first time, spark a passionate fire in this bi...
Sylvia Plath Day by Day, Volume 2
Since her death in 1963, Sylvia Plath has become an endless source of fascination for a wide audience, ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath was also fueled in part by the nature of her death—a suicide while she was estranged from her husband, Ted Hughes, who was himself a noteworthy British poet. As a result, a steady stream of biographies of Plath, projecting an array of points of view about their subject, has appeared over the last fifty-five years. Now biographer Carl Rollyson, the author of two previous biographical studies of Plath, has surveyed the vas...
Theatre After Empire
Emphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems. Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subal...
